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With a setlist to die for and sounding tighter than Jenny Lewis’ thigh-highs, Rilo Kiley blazed through classics old and new at their triumphant turn at Austin’s Stubb’s BBQ.

We managed to catch My Morning Jacket three times this year but none better than in the intimate setting of the Parish, where their magnificently raucous live antics threatened to collapse the second-story floor and show off their technical skill rather than their arean-rock readiness.

With a fiery set reminiscent of end-of-days prophecies, Converge annihilated all expectations with a set that was both brutal and enthralling, recalling the days when punk meant something more than just fast guitars.

Easily topping the list of this year’s most enthralling live sets, Cat Power at Stubb’s recalled classic soul songstresses of yesteryear, soaring through classics from You Are Free, the Greatest, and this year’s Jukebox, all the while maintaining the composure and confidence of a road-weary but hardened troubadour. Chan Marshall has walked through the fire and come out the other side a little older, a little dustier, but all the better for her trials. 

Simple setting, not-so-simple enemy, the Ruins managed to combine pleasingly-gory special effects with an overbearing sense of dread as the protagonists find themselves trapped on an ancient pyramid being eaten by, what else, rabid plants. Bloody pom-poms awarded all around. 

Perhaps the most outright terrifying flick on our list, the Strangers captures the nihilism of modern horror with stark and brutal imagery and enough impending dread to make you queasy throughout. Plus, check out the awesome old-timey poster, great stuff. 

A coming of age tale for the morally reprehensible amongst us (myself definitely included) Teeth tells the story of a young girl blossoming into full-fledged womanhood and all the blood, guts, and terror that it inevitably involves. Recommended for every frat-boy considering date-rape (warning: castration abounds).

A horrifically stark and undeniably enjoyable trek into the darkest reaches of the horror-film psyche, Funny Games forces the viewer themselves into sadism for continuing to watch the terrible torture of an affluent family by a deranged duo of golf-club wielding maniacs. Are we the real monsters for enjoying the film? It’s hard not to be when Naomi Watts starts gunning people down. A must see.

Of all the horror movies this year to question the brutal and sadistic nature of the genre, none dared to go so far as to question the medium of delivery itself, to identify the maddening pervasiveness of media in our society and our cult-like devotion to it. In the Signal, the three directors attempt just that, fusing elements of horror, drama, zombie-flick, dark comedy, gore, and psyche-freak-out all into a visionary masterpiece that undeniably captures what is at times both the best and the sickest elements of horror cinema – the unending search for meaning in a cruel world attacking from all sides. So highly recommended I’m wondering why you’re still reading this and not buying it. You must have the crazy.

NEW GLASS CANDY RARITIES RECORD

“Also at the party we will be giving away a new Glass
Candy cd called DEEP GEMS, which is a collection of
singles, b sides, and rarities. in between touring like
crazy, glass candy has been in the studio every possible
moment working on a new lp for 2009. in the meantime,
“deep gems” is a collection of rare tracks recorded
between march 2006 and october 2008. featuring 10
unreleased songs plus the remix of “miss broadway”
they’ve been playing live, and the 12″ version of
“geto boys”. here’s the tracklisting of DEEP GEMS:

1 > INTRODUCTION
2 > FEELING WITHOUT TOUCHING
3 > ANIMAL IMAGINATION
4 > THE BEAT’S ALIVE
5 > SOMETHING STIRRING IN SPACE
6 > THEME FROM DEEP GEMS
7 > MORNING MIST
8 > GETO BOYS
9 > MS. BROADWAY REMIX
10 > SOFT BOUNDARIES
11 > STARS & HOUSES
12 > SILVER FOUNTAIN”

Sounds like an awesome LP, anyone got a copy yet? Send us one!

Glass Candy – “Nite Nurses”
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TRYOUTS – THE WHISPERTOWN 2000’s SWIM
Morgan Nagler is credited on Rilo Kiley’s Under the Blacklight for helping pen the smoldering “Dreamworld”, a whistful smoky lullaby about misfits, dreams, and unfulfilled passions. While Blake Sennett and company covered the song with syrupy synths, the song’s storyteller edge shone forth, as do the tunes on Nagler’s new effort Swim with her band the Whispertown 2000. With a spareness that feels like a country-rock confessional mixed beautifully with Nagler’s plaintative lonely vocals, Swim speaks of the same passion and dreams of the band’s Blacklight contribution but does so with a Southern charm that produces remarkable genuineness. This is indie-rock at its most convincing, scratchy vinyl in the back of the record shop, hidden gems at the deep end of the CD bin. Nagler and her swaggering cohorts have spun a record of infectious country-indie-rock in classic form. Definitely makes the team but may have trouble doing cheerleading moves in those cowboy boots.

The Whispertown 2000 – “Done With Love”The Whispertown 2000 – “Atlantis”

Comments?

Death Cab for Cutie – “Cath…”
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JIM JAMES/CONOR OBERST/M. WARD MAKING RECORD?

It would seem that according to this Pitchfork story, our favorite Kentucky troubadour, My Morning Jacket frontman Jim James, is collaborating with none other than Conor Oberst of Bright Eyes fame and M. Ward (the Monsters of Folk anyone?) to release a record of original work. Sweetness! Also noteworthy is James’ mention of releasing a solo record under the pseudonym Sec Walkin’, a nod to the title of one of the tracks off MMJ’s new record Evil Urges. Could this news be any cooler really? Read the whole story here and stay tuned for further developments on what promises to be a truly groundbreaking country record.

My Morning Jacket – “White Rabbit”
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NEW BAND CHEER – THE CARROTS

When all-female Austin punk group Finally Punk went on indefinite hiatus (though they promised they hadn’t broken up…) this central Texas town truly lost one of its greatest rock and roll acts. However, from the ashes of the riot grrrl wreckage comes the Carrots, a doo-wop group recalling 50’s all-girl acts such as the Ronettes and the Shangri-La’s, featuring several members from Finally Punk. Austin’s answer to the undeniably catchy sounds of bands like the Pipettes, the Carrots spin a wonderful pop sound but retain the subversiveness of the former punk act with a kitschy wink to their audience on tracks like “Beverly” and “Secret Since ‘99″. Definitely worthy of attention, even outside of the Austin area, so go check them out immediately. No mp3s floating around of these gals but here’s a rad video of them playing “Beverly”.

Any comments?

We’ve had one or two posts before now about the Crystal Castles “Crystal Theft” Controversy (you know, the one where member of the ‘chiptune’ community have accused Ethan Cath and Alice Glass of stealing beats from chiptune artists’ songs and not giving proper credit to their original creators). Well it seems that music blog giant Pitchfork Media has also weighed in and posted an exclusive article featuring communication with members and management of Crystal Castles on this subject, the full text of which is below. Also, hey, thanks for mentioning Cannibal Cheerleader Pitchfork, looks like we’re getting noticed here in Austin!

From Pitchfork:

“Today, however, we present the case of Crystal Castles vs. Various Members of the 8bitpeoples Collective, a group of “chip music”-makers and software/hardware developers inspired by classic video game sounds.

Our story begins in 2004, when a fledging Crystal Castles were still honing their craft. At that time, according to the duo, they relied exclusively on samples, and a few of those samples from that period were lifted from chip music artists.

A bit of background: Like many in the chip music community, 8bitpeoples artists routinely post their music on the collective’s website for free download, with the stipulation that said music is protected under a Creative Commons License. The license provides for free copying, distribution, and transmission of the works in question, provided the person doing the copying/distributing/transmitting:

1. Properly attributes the work
2. Does not use the work for commercial purposes
3. Does not “alter, transform, or build upon” the work (aka create derivative works)

It’s also worth noting that any of these conditions can be waived given permission from the artist behind the work in question.

So, back to Crystal Castles. 8bitpeoples alleges that the duo “violated every term of the [Creative Commons] license” in its use of music created by one of the collective’s artists, a musician called Lo-Bat. They also claim Crystal Castles employed a drum beat from another chip music artist, Covox, “in no less than four…songs.”

Others in the chip music community have chimed in with accusations. A writeup on blog Gameboy Genius lists several more instances of perceived beat-jacking on the part of Crystal Castles, even going so far as to analyze a pair of audio tracks side by side.

But here’s the thing: First, as mentioned, Crystal Castles admit to the sampling. What’s more, according to them, none of the music that contains uncleared samples has been released.

As Crystal Castles member Ethan Kath wrote in an email to Pitchfork, “These infringing songs are early unreleased tracks which were never performed. They are the most awful tracks associated with the band and [vocalist] Alice [Glass] herself hasn’t heard most of these tracks. I put these tracks together myself and then discarded them because I thought they were too poor for release. Labels were interested in collecting these sample-based tracks but we did not want to release these tracks because we did not like the songs. And even if we did like the songs, there were too many samples to clear. Three of the tracks sample early Madonna, three of the tracks sample Joy Division, two of the tracks sample the Stooges, three of the tracks sample Lo-Bat, four of the tracks sample Covox.”

According to the band, the controversy stems from the appearance of several unreleased Crystal Castles tracks online. At least one– which is titled “Insecticon” (erroneously, apparently) and samples Lo-Bat– appeared on the MySpace page of Lies Records, the label to which CC originally licensed their self-titled debut album.

Explains Kath, “One of our earliest tracks is a noise-guitar track called ‘Insectica’. While teaching myself how to use a computer music sequencer program, I mashed it up with a Lo-Bat track. It somehow appeared online as ‘Insecticon’. I assume it was named for someone mishearing Alice sing the opening line ‘I, Insectica.’ Someone else posted the track as ‘Bitter Hearts’ after learning that we have an unreleased track called ‘Bitter Hearts’ and [assuming] they had found it. If I had put the song online myself I would have called it ‘Insectica (Crystal Castles vs. Lo-Bat version)’ but unfortunately I did not upload it. I do not regret this, the publicity we are receiving four years later is priceless.”

The song in question, though still titled “Insecticon”, is now credited to “CC vs. Lo-Bat” on the Lies Records MySpace. It now includes a Creative Commons License acknowledgement as well. Crystal Castles also insist that Lo-Bat has contacted their manager and expressed that he does not mind the sample and finds the controversy “ridiculous.”

In a statement to blog Cannibal Cheerleader, a Lies Records rep notes, “I myself wanted to release ‘Insecticon’ but I could not find Lo-bat to seek his permission.”

Furthermore, Kath writes, “The artists who have been sampled have agreed that the 8bit community is making too big a deal about this, plus they do not want publicity for this, they do not want to be known as the bands that Crystal Castles sampled. Instead, they want to be known for their own great music. We are trying to help with this, we are organizing a compilation of our favourite 8bit songs for release on Lies Records.”

So yes, Crystal Castles did create derivative works based on the music of chip music artists without proper attribution (though the attribution wasn’t the band’s doing)– two Creative Commons agreement no-no’s. But since they didn’t release or perform the works– and deny that they were responsible for disseminating them– it would be hard to mount a case for the third Creative Commons violation (”commercial gain”). And indeed, even the other two Creative Commons conditions wouldn’t apply to experiments that were intended to remain in the bedroom/studio.

We may never know how most of the early Crystal Castles material made it online, but since Kath and Glass insist it wasn’t their doing– and since they’ve made clear their intention to not release any of the sampled material without permission– we think it’s high time to call off the witch hunt.

In other news, Crystal Castles have loads of touring to attend to this summer, including a round of dates with Nine Inch Nails. They’ll release a new UK single for “Vanished” in 7″ and digital formats via Different Recordings on July 21. They also hope to issue a new EP and a collection of remixes in the fall. “

Once again, thanks for the shoutout Pitchfork! The article pretty much sums up the issue from inception to ‘Insecticon” and they’ve come to the same conclusion as us down here at Cannibal Cheerleader, that we need to end this senseless argument over what are essentially Ethan Kath’s home recordings. You can read the original Pitchfork post here.

Also, as you can read from this update, Crystal Castles hope to be releasing a new EP and a remix LP sometime this fall. Awesome news! I imagine there will be a lot of comments on this article so since you can’t post public comments over at the P4K, bring them here. What do people think about this one?

Crystal Castles – “Alice Practice (Future Cop Remix)”
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CONOR OBERST SOLO LP/TOUR WITH JENNY LEWIS

According to Stereogum, Conor Oberst is revealing more and more about his upcoming Conor Oberst LP and his tour with the Mystic Valley Band. In fact you can head over to Mr. Oberst’s site http://www.conoroberst.com/album/ right now and check out two additional tracks from his upcoming release, “Souled Out” and “Danny Callahan”. Also, according to Pitchfork Conor Oberst will be touring with none other than Jenny Lewis of Rilo Kiley for some of his fall tour dates in support of his self-titled album. The tracks here sound more upbeat than Cassadaga but certainly don’t dissappoint with their creativity or spirtuality. As Stereogum said, “Nothing like some alien sightings to bring some joy back to the songwriting process”.

Jenny Lewis and Conor Oberst will both be playing solo sets at this year’s Austin City Limits Fest so maybe we’ll get our first glimpse of the two together during one of their respective sets! Here’s another Conor Oberst track taken from a Mystic Valley Band live show that’s been circling the Internet for a while. Enjoy!

Conor Oberst – “I Don’t Want to Die in the Hospital”

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THE ROLLER PLAYS THURSDAY @ RED 7

And you know we’ll be there to check it out, camera in hand! Just wanted to announce this as The Roller are fast becoming one of Austin’s preeminent metal acts, so catch ‘em now before they’re too big to catch!

The Roller – “Rattle of the Shaman”
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MAXMILLION DUNBAR AKA VULTURE V

Seems that emcee Vulture V from Baltimore’s Food For Animals (http://www.myspace.com/thefoodforanimals) has a side project as a producer under the moniker Maxmillion Dunbar, and his first 7” featuring two new tracks just dropped via Future Times. Check out this first track “Outrageous Soulz” – quite a summer sizzler if we do say so ourselves!

Maxmillion Dunbar – “Outrageous Soulz”
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ACTION DESIGN DEBUT NEW TRACK ON MYSPACE

Our favorite post-Tsunami Bomb female fronted pop-punk act the Action Design (yay for Agent M for getting back on her feet!) has a new track on their Myspace, a cover of grunge act Seaweed’s track “Kid Candy”, and believe us, it plays in the spirit of few punkers today. Action Design sound like what reading the Love and Rockets comic book feels like – the story of punks growing up, getting smarter, and looking inside for something deep amidst all that rage. Great stuff and it’s what made us include Action Design as one of our top ten new bands this year so far. Definitely check the band out at their Myspace and listen to “Kid Candy” – you won’t regret it!

-Any comments?

Sometimes when you go and see one of your favorite bands play, however good the show may be, you find yourself strangely disappointed, either because the set sounded too stagey and planned, the group didn’t play any of your favorite songs, or the crowd was just not feeling it. That was definitely NOT the case with Rilo Kiley’s set last night at Stubb’s here in Austin. Blasting through a set of stone cold classics (”Pictures of Success” AND “Better Son/Daughter”?? No way!) and amazing newer tracks (”Dreamworld”, “Breakin’ Up”, “Close Call”? Awesome!) on this one of the band’s last stops on their “Under the Blacklight Tour”, Blake Sennet, Jenny Lewis, and the rest of the gang mounted an indie assault with loose flair in front of an incredibly receptive Austin audience that would soon forget! More pictures and the setlist (as best as I can remember it and a little bit out of order) and more pictures below!

According to the Stones Throw website, before J Dilla’s untimely passing he collaborated with none other than our favorite emcee MF Doom as well as the infamouse Ghostface Killah on a variety of tracks using samples from his swan song Donuts (some of these tracks ended up on Fishscale, while the Doom tracks have never surfaced).

According to this interview with Pitchfork, Gregg Gillis AKA Girl Talk will be releasing his newest album via ‘the Radiohead/NIN/pay-what-you-want model’ before the end of the week! That’s good news to us as this mashup-artist’s Night Ripper was one of our favorite pop wonderworks of yesteryear so we’ll be waiting with bated breath for Feed the Animals (not Food for Animals mind you, haha). Also check out the Girl Talk Myspace for the dronetastic prep-track for the album. Weird stuff man!

Here’s a proper hangover tune from RK:

Rilo Kiley – “The Angels Hung Around”
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BE YOUR OWN PET PLAYED A SECRET AUSTIN SHOW?


Be Your Own Pet apparently played a secret gig at the Broken Neck after their Stubb’s show last Thursday. Why weren’t we invited?! Oh well, the Austin Chronicle was there and they have some pictures up – enjoy!


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NEW CHARLOTTE SOMETIMES VIDEO


Here’s a video for “How I Could Just Kill A Man”, the first single from Charlotte Sometimes‘ debut album Waves and the Both of Us.

Charlotte Sometimes – “How I Could Just Kill A Man” (c’mon VH1, learn to provide the embed!)

That’s all for this week, see everyone next week (Monday brings a special article from yours truly! Hint: it has to do with waffles…)