PONYTAIL LIVE IN AUSTIN Wonderful week of live shows here at Cannibal Cheerleader with one of our personal favorites Ponytail from Baltimore absolutely wrecking shop at Red 7 last night. A completely amped up crowd mobbed the front of the stage from song one and given that the quartet never let the energy-level drop below ‘blazingly electric’ the enthusiasm ripped the night in half. Much is written about the vocal stylings of Molly, Ponytail’s lead vocalist, but it was her backing band that stole the show, with churning guitar lines seamlessly converging into dueling spidery solos, all backed by the furious assault of the drummer who left his seat on more than one occasion with reckless abandon, wailing on his drums like he was beating back hellfire. Playing through classics old and new, including personal CC favorite “Late For School” (yay!) the band cemented their reputation as not just another instrumental band but a indie-rock powerhouse with enough energy to power a small city into the new millennium and beyond. Fantastic set. . Ponytail – “Celebrate the Body Electric (It Came From An Angel)” ******************************************************************** NEW AGENT RIBBONS 7″ Our friends in Agent Ribbons have been busy bees lately, what with opening up for Camera Obscura and picking up Naomi Cherie from the sorely departed Southern Drama all in the last few months. And now the California trio, on top of eberything, have sneaked in time to record a fantastic new 7″ entitled Your Love is the Smallest Doll, and it combines the lyrical whimsy and vaudevillian stylings of earlier recordings with a more fleshed-out sound care of Cherie’s string section. Featuring some of the group’s most infectious tunes, this EP comes highly recommended, if only for the title track’s vocal harmonies and liberal usage of toy piano. Agent Ribbons – “Your Love is the Smallest Doll” ******************************************************************** PULL IN EMERGENCY TO RECORD FULL-LENGTH Here’s the word from Cannibal Cheerleader favorite Pull In Emergency via the band’s Myspace:
” we’ve been a bit quite recently mainly because of the ol GCSEs/ A Levels so this is just an update.during the summer we’re going to be recording our debut album… and hopefully doing lots of gigs and stuff, underage is going to be sickkkkwe think the albums going to be out in February/ March of 2010, we’re going to New York in December for some gigs in Manhattan and Brookyln all in all, sorry for being quiet recently, but this summer is going to be intense…PIE.xxxxx“
New Pull In Emergency album? Sign us up immediately. If we hear anything we’ll be sure and alert the CC faithful first!
Pull In Emergency – “Planes” ******************************************************************** NEW ACTION DESIGN VIDEO Lots of news in the Action Design department, as the band is currently flying about the country on a new tour and will be touching down in Austin on May 25th. Not only that but the band has a new video forthcoming for standout single “Landmines” and we have the ‘pre-video video’ here to prove it. Check it out below!
The Action Design – “Move On” ******************************************************************** NEW HEARTSREVOLUTION VIDEO Been a while since we sat down with the Heartsrevolution crew but the duo of Lo and Ben have been getting a lot of press recently, what with their inclusion on Gossip Girl (quite a soundtrack that show) and being given the Kitsune Maison nod. Now the group has a new video for a song entitled “The Rose and Her Prince”. A much for downbeat tune for the group but a welcome experimentation for such an interesting band. Can’t for the life of me figure how to embed this but check it out here.
Heartsrevolution – “Ultraviolence” ******************************************************************** HAPPY BIRTHDAY May 22nd is JB’s birthday! If you see him celebrating with cheap beer and expensive cigars tomorrow night at his favorite Austin hangout (Crown & Anchor Bar) holler at him and he’ll give you a sticker or a zine!
NEW PONYTAIL VIDEO. Here’s a new video from Baltimore pop-rockers Ponytail whose latest release Ice Cream Spiritual was one of our favorite releases of last year. Featuring the standout track “Celebrate the Body Electric”, this psychadelic trip-worthy mind explosion features the kind of balloon-busting antics we’ve come to expect from the spazz-tastic quartet.
In other news the band will be rolling through Austin on May 20th at Red 7 and you know the Cannibal Cheerleader crew will be there with electric bells on. Here’s hoping they play our favorite, “Late for School”!
Ponytail – “Celebrate the Body Electric” ******************************************************************** NEW HORRORS VIDEO. The Horrors have reinvented themselves so dramatically on their newest LP Primary Colours that listeners are rediscovering the group all over again. With their newest video for second single “Who Can Say” the band continues the transformation, featuring more live performance footage this time directed by Douglas Hart of the Jesus & Mary Chain, a group Faris Badwin and company are certainly emulating at this point. Check out the vid below!
The Horrors – “New Ice Age” ******************************************************************** NEW BAND CHEER: THE VANDELLES. Riding on the crest of the lo-fi shoegazey wave with a brand of surf-rock that’s straight from Palm Beach, Brooklyn’s the Vandelles serve up an experimental brand of syrupy guitar-rock that haunts as much as it delights. Having garnered a fair amount of attention at this year’s SXSW music festival here in Austin, the Vandelles newest LP Del Black Aloha stands poised to break this band into the realm of the lords of lo-fi, so listen below and prepare to be amazed. Cowabunga Cannibal Cheerleader faithful! The Vandelles | Bad Volcano
MARNIE STERN INTERVIEW We here at Cannibal Cheerleader were among some of the most ardent fans of Marnie Stern’s sophomore release This is It… and we proclaimed it as one of our top albums of 2008. Now, before she heads down to Austin for SXSW 08, Marnie Stern has granted us an interview about her life, that whole kissing-booth affair, and what makes the indie-shredder so rock and roll.
CC: Describe your sound to the uninitiated. What is Marnie Stern all about? Introduce yourself, your music, and how it all came together in the beginning.
MS: It took a really long time for my music to come together… A lot of years of trying to find my own voice. I guess my sound is a mash up of a bunch of different musical tastes I like, along with some ideas and questions I’ve had about life thrown in there for good measure.
CC: What are some of your biggest influences? What bands do you like to listen to? Do you find yourself emulating other artists or mostly doing your own thing?
MS: I try not to emulate other artists. I never learned people’s songs when I was learning to play the guitar. I think often times when you do that, you end up trying to get into the mind set of someone else and really that’s impossible to do, so you have a harder time of expressing yourself on the intsrument. It’s different for everybody though. If I really like something I will try and absorb the essense of it and incorporate my own style into what I’m doing. There haven’t been many bands that I have gotten into over the past few years. I’ve been dissapointed by that because I like feeling a healthy competitiveness where I hear a band and it challenges me to do better work. I do like Ponytail very much.
Whaddya know? We love Ponytail too! Great minds think alike! Read more excerpts from the interview below and stay tuned for the complete version in our third issue of Cannibal Cheerleader Magazine, out during SXSW 09!
Marnie Stern – “The Crippled Jazzer” ******************************************************************** TV ON THE RADIO RETURN TO AUSTIN By some misfortune we managed to miss out on catching TV on the Radio’s last jaunt through the Lone Star State, but we’re in luck as the band will make their triumphant return to Stubb’s on May 15th. Get ready all and check this awesome TVOTR video below!
TV on the Radio – “Love Dog” ******************************************************************** MARNIE STERN INTERVIEW (CONT’D) CC: Your last album garnered a lot of attention and positive praise, even more so than your debut. What was it like being thrust into the limelight like that? Was there a sense of relief or added pressure?
MS: Is that what happened? How exciting if it was!! To me it felt like an extension of what happened when I released my debut. There were positive reviews and I went on tour, but I couldn’t really tell a big difference from the release of the first to the second. I guess when you are in the middle of it, you can’t really tell.
CC: Starting with influential online outlets like Pitchfork Media and Stereogum and trickling all down the blogosphere you’ve been given a lot of attention over the past year from this new form of music journalism – what do you feel about the online music community and how has it affected you?
MS: I love it!!!! It’s been very positive, so what’s not to like? Ha! Seriously though, the online music blogs are the only place I go to read about reviews and what’s going on. I never look at rolling stone or other music magazines, so I couldn’t be happier about that. Of course when you open yourself up to a blog, you are always left with the negative comments that people make, but I guess all press is good press and you just have to ignore the nasty things people say.
CC: Do you feel like the rampant torrent usage of these sites negates their positive influence? I’ve heard you were particularly unhappy when your album leaked, can you describe that situation to us?
MS: Well it is a very very tough situation. It’s great that so many people get to hear it, but from a business angle (or rather the angle of trying to make a living) it’s really bad. An album that sold 5,000 copies this year would have sold 15,000 copies 10 years ago and that’s a huge difference. I think prople have this misinterpretation that if you are getting attention, that you are making money..and that just isnt the case. I’m 30,000 dollars in debt from subsidising tours etc, and it’s really scary. On the otehr hand, I am doing what I love to do, so I really shouldn’t be complaining. A shift is going to come at some point in the music industry, but it might take 5 or 10 years and that is probably the span of my career, so more likely than not I missed the boat on money.
CC: The kissing booth clearly started as a joke and became an online sensation, but do you feel it detracts from the music or simply gets more people interested in your shows? Do you have plans to retire or continue the smooch-a-thons? Have any particularly smelly fans been denied a kiss?
MS: That really did start out as a joke and I had no intention of making it such a big deal, but It was fun and like you said, if it gets people more interested in shows, then great! Never say never, but I think the smooch-a-thons are retired. No one was denied a kiss, but honestly there weren’t many takers.
CC: Describe to aspiring guitarists your playing style and how you’ve managed to become one of the genre’s most celebrated shredders? Talk about your unique style and how you come up with your riffs. What’s it like being the greatest indie-rock guitarist of all time (and if you’re not it, who is)?
MS: Well there are so many people who are much better players than I am. My favorites are Spencer Seim and Mick Barr. There are thousands though. I think it’s more important to have your own style, then to play well. I would like to think that people like my music more for the way I put together the guitar parts, than for the shredding aspect. I’ve had a hard time with the ‘virtuoso’ title, because I don’t think I am that, and really it puts you in a position where you have nowhere to go but down. A lot of people say that I get attention because I am a female playing guitar. I had never really thought about gender before. I had always just thought about artists I liked and wanted to be as good as. In the end, I just have to keep on playing and trying to grow as a player.CC: What is it for an artist to ‘make it’ in the music industry today? Have you ‘made it’ as an artist or are you still striving for more? Can you finally say you support yourself playing music or do you have a day job?
MS: I think I answered that in one of the other questions. I don’t have a day job because my schedule is so strange and I have to leave to go on tour so often. I have applied for a lot of waitress positions but no one calls me back. In terms of making it, I think I made it when I got to release my first record. That was my goal and everything since has been icing on the cake. Though it is true that once you feel you’ve conquered one step, you want to try and keep going. It’s human nature.
Comments? Any huge Marnie Stern fans out there like ourselves?
This coming Monday we’re going to be making a huge Cannibal Cheerleader announcement. Here are some hints – it involves SXSW 09 and it rhymes with ‘ARTY’. Rock out this weekend folks, seeya Monday!
Squeaking in at the last second care of the newest incarnation of ex-Distiller Brody Dalle, Spinnerette, “Ghetto Love” combines spidery guitar riffs and wailing female vocals to make a part-industrial, part-punk masterpiece that rivals the tunes from such seminal works as Coral Fang. Highly recommended for fans of old school LA punk with a 2008 twist.
Tender as a broken heart and bloody as a gaping wound, “The Twist” by Frightened Rabbit combines a lovelorn tale of self-loathing with a minimalist piano line that nonetheless sounds more true to life than the majority of romantic ballads on the radio today. Combining real-world experience with careful, quiet riffs makes this tune one of the finest love songs of the year.
Morgan Nagler’s voice remains fragile as a icy lake but on “Atlantis” from the Whispertown 2000’s latest effort Swim her lyrics are focused on under the water, escaping into the hidden city deep below, away from sin. A testament to the quiet, serene songwriting of the Whispertown quartet, this tune is one of the most haunting of the year.
The tale of a suicidal goth girl might not be construed as one of the most whimsical and heartwarming songs of the year, but under the sweeping electronic orchestra of M83, “Graveyard Girl” is an equal parts kitschy ode to John Hughes narratives and a shoe-gazing spin through layers of haunting vocals. Slightly out-edges “Kim and Jessie” just due to our morbid fascination here at Cannibal Cheerleader.
With the year’s release of her sophomore album Jenny Lewis went from sultry songstress to road-weary troubadour, winding tales of a life hard-lived, and none harder than the lovelorn ballad as told in “Acid Tongue”. With a sense of the weight-of-the-world on your shoulders held up only by one’s own hope, Jenny Lewis spins a tale of drug abuse and loneliness that’s a road song for the 2008 generation.
2008 has been a good year for My Morning Jacket, cementing them in their rightful place as one of America’s premiere rock bands. Perhaps no better testament to this exists than in the wild experimentalism displayed on their newest album and on the song “Touch Me I’m Going to Scream Pt. 2″, which features bizarre instrumentation combined with the signature Jim James vocal stylings to create a haunting a captivating song that remains one of MMJ’s best ever.
Slinking in on a tide of electronic clicks and swishes “Courtship Dating” is easily the most radio-ready and immediately catching track off the Crystal Castles’ debut LP. With a fiery chorus and a dance-worthy groove “Courtship Dancing” is easily the top electronic track of the year.
This year saw the release of the Hold Steady’s Stay Positive, yet another release of bar-ready rock jams that weaved tales of lost Americana in a country that’s lost in innocence but still clings to undying dreams and hopes. Nothing better captures this attitude that “Constructive Summer”, the first song off the album and one of the best straight up rock tracks the Hold Steady have ever composed.
As the final track off Bloc Party’s newest LP Intimacy, “Ion Square” needed to encapsulate the message of the entire piece, an instantly politcal and romantic tune, all awash in electronics and guitar pedals. The song succeeds with ease, capturing the zeitgeist of the band’s current incarnation and pummeling the listener with equal parts poetry and passion, forming one of the best tracks of the year.
This was the year of Be Your Own Pet, and just in time as the band imploded near the end anyway in a decidedly rock and roll move. Still, the group left us with a string of punk rock revivalist tunes that screamed of Buzzcocks and hellfire, with all the fury and passion that first made the world fall in love with youthful rage. Perhaps none of these tracks is better or more definitive of the band’s delightfully sordid career than “Becky”, a tune banned in the US and full of high-school politics, figurative and literal backstabbings, and all the blazing guitarwork and shrieked Jemina Pearl vocals that have made the group so endearing. While their entire discography deserves a thorough examination by indie rock lovers everywhere, this is a good song to start with and the best song of 2008.
TOP TEN ALBUMS OF ‘08
10. My Morning Jacket – Evil Urges
Every few years America needs a reminder that they’re musical legacy is carried on the back of a quintet from Kentucky, hefting the burden of Southern-rock and fuzing it with massive degrees of guitar heroics and rampant experimentalism to rival the likes of Radiohead. This year’s reminder is Evil Urges by that same quintet, My Morning Jacket, and it’s packed full of such a wide range of incredible tracks to be considered one of their most far-reaching and fantastic releases to date.
9. The Action Design – Never Say
Resisting the urge to rework tracks from their Tsunami Bomb repertoire, Agent M and her new band the Action Design have constructed an entirely new sound, combining heartfelt punk ethos with elements of dance-rock and electronic. The formula works fantastically, displayed best on their album Never Say, an album of surprising depth and meaning during a time when Warped Tour bands are becoming more and more vapid. One of the best punk releases of the year.
8. Ponytail – Ice Cream Spiritual
With wild experimentalism and frenetic energy rivaling any indie rock band this year, Ponytail have a chokehold on the mad-crazy progressive meets jazz fusion rock and roll market. Their newest release Ice Cream Spiritual describes their sound perfectly in the name alone – a combination of childish delight and wild religious fanaticism. Capture that image in your mind, turn it into a move, and Ponytail is the perfect soundtrack.
7. Scarlett Johansson – Anywhere I Lay My Head
With a subversive edge totally unexpected in a covers album, Scarlett Johansson’sAnywhere I Lay My Head, a collection of Tom Waits’ songs, surprises and delights with its inventive renditions, creating a new set of standards for actresses turned singers. With David Sitek of TV on the Radio behind the boards, and a patented ‘Tinkerbell on cough syrup’ sound, tracks like “Falling Down” and “Green Grass” take on a new and incredible life of their own. Deservedly one of the best of the year, both for its music and for the gutsiness of its creation.
6. Bloc Party – Intimacy
On Bloc Party’s last album A Weekend in the City, the politics of everyday London living became very personal, hitting home with every subsequent sweeping song. On their newest album Intimacy, the quartet have managed to switch gears, making the most personal of moments become full of political meaning. On tracks like “Trojan Horse” a lover’s betrayal is akin to the fall of Troy and on “Talons” the group details the terrible (and deadly) consequences of romantic dishonesty. An emotional album fighting against an ‘emo’ world, Intimacy finds a band in rare form, taking the lessons of the past and moving their sound forward with rewarding results.
5. Marnie Stern – This is It…
On the lengthily titled This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That, supreme shredder and songwriter Marnie Stern has managed to deliver on the promises of her early albums by taking her prestigiousness behind a six-string and combining it with excellent songcraft and a Karen O. wail to make one of the best albums of the year. Singles “Shea Stadium” and “Transformer” confirm the album’s pop sensibilities and deep cuts like “The Crippled Jazzer” delight with their destructive riffs and dizzying imagination. The best release from one of the best indie rock guitarists ever.
4. M83 – Saturdays=Youth
Capturing the spirit of youthfulness couldn’t be a harder task for a young songwriter. How to describe all the nervous fumblings, the magnificent discoveries, the awesome highs and terrible lows of approaching adulthood? If you’re M83, the solution is to let the music do the talking, sweeping maximalist riffs over John Hughes-style cinematics, creating an aura of energetic passion with all the ignorant bliss of a lonely teenage dreamer. Saturdays=Youth is perfect soundtrack to your years in high school, that is, if you were a nervous indie rock kid like myself. The best release from the already formidable M83 so far.
3. TV on the Radio – Dear Science
Following up on an album like TV on the Radio’s Return to Cookie Mountain might be seen as some to be an impossible task. To surpass its rip-roaring fury one would have to turn inward and redefine what made the band so remarkable to begin with, and that is just what TVoTR have accomplished on Dear Science, a remarkably careful and sensitive record with no less of the force of the former but more secure in its songcraft and enriching in its tunes than ever before. Sounding more like a soul-session band with a rock edge than an indie band hiding behind laptops, the group careens through dizzying tunes of power and depth with equal parts dark sorrow and unimaginable hope, crafting one of the best records of the year.
2. Be Your Own Pet – Get Awkward
The kids will never be alright if Be Your Own Pet has their way. From violent zombie fights to rampant drug usage, Get Awkward is a violent adolescent wet-dream come nightmarishly true, an over-exaggerated version of High School the Musical with a horrific injection of bloody reality. Though it turned out to be the band’s swan song, what a collection to go out on, combining a matured punk rock sound with endearingly clumsy lyrics and the trademark Jemina Pearl snarl carrying the whole crew along. This album should be the definitive soundtrack to every awkward youth, every wanna-be punk rocker, every indie-kid ready to cast off scene politics and relearn the magic of rock in pure, unfettered form.
1. Crystal Castles – Crystal Castles
What is punk rock? A daunting question to be sure, but demanding of an answer in an era of strict genre definitions and blogosphere gossip dominating true music journalism. Is it fast and loud music? Politically charged songs? Here at Cannibal Cheerleader we’ve come to believe that punk rock is a passion for change, a forward-thinking musicality that underlies a band’s music, an adventurous spirit and a talent for creating new and different sounds. With this in mind, we can say with no reservation that Crystal Castles perfectly epitomizes punk rock in 2008 to us. Braving criticism and legal woes all year, the band nonetheless released a fiersome collection of sixteen magnificent tracks that race back and forth from soothing electronic noodling as in “Air War” to blood-splattered rockers like “xxzxcuzx me”. In a year that saw the world change wildly it seems only fitting to have a band that did the same in between every song on their album top the list of our bloody best of 2008. Crystal Castles, a true Cannibal Cheerleader original.
Surely someone has some opinions on this one – comments?
OCTOBER HIATUS For those of you who haven’t noticed Cannibal Cheerleader hasn’t updated in a while. Luckily this isn’t a permanent hiatus but sad to say it will continue through the month of October as I (John B.) will be busy applying to grad school. I’ll also take this opportunity to attempt to revamp the site. Too often do I feel that Cannibal Cheerleader is only a repetition of what other blogs are saying. In recent months we’ve been moving into more independent music coverage and I want to continue that trend. Stay tuned for more exciting band updates come November. Until then, enjoy this Ponytail video and as always, eat more people.
xo John B.
If any of your friends ask why CC is down, tell them we’re taking the Halloween month off to run amok in your cities.
INTERVIEW WITH PONYTAIL Recently, Cannibal Cheerleader had the opportunity to conduct an interview with Ken Seeno of Baltimore’s own Ponytail, a fantastic band whose new album Ice Cream Spiritual is fast becoming one of our favorites of the year. The band’s penchant for wildly inventive riffs, 7-minute strong structures, and legendary live performances has garnered them international acclaim, and now Ken answers a few questions about what ties the Ponytail together.
CC: Describe to us the story of Ponytail, what makes you tick and how you came to be. How did you meet and how did you come up with your band dynamic?
Ken: Well it should be noted that we were put together randomly without having known each other. We all by chance took a class 4 years ago entitled “Parapainting” at the Maryland Institute College of Art. The professor, Jeremy Sigler, is a poet from New York City. It was his concept that everyone in the class should be formed into bands in order to create art groups that would practice alongside the art world. By the second class we had been put together based on first impressions. At the end of the semester we played 1 show and when it was over, we kept going!
Our candid and interesting interview continues at the end of this post. Be sure to check out Ponytail at their Myspace in the meantime!
We are proud to announce that our new album, “Swim”, will be released on Acony records on the 21st of October!!!!
The greatest.
One new song, “Pushing Oars”, has been posted for your listening enjoyment. Unless, of course, you don’t enjoy it, in which case it’s been posted to bum you out.
We have a few upcoming dates posted with Jenny Lewis, and also a Nashville date, the home of our new label! Come visit us, and we’ll post more dates soon..
How are you?
What are you doing?
with love, your friend, morgan xo”
“Pushing Oars” sounds like a lovely, stripped down indie-rock crooner with a country tinge and rainy Northwestern sadness. Definitely a great track and makes our mouths water for Swim in full. Can’t wait until Oct. 21st! Here’s a Whispertown oldie to keep you occupied in the meantime!
Whispertown 2000 – “Intentions” ******************************************************************** TRYOUTS: BLOC PARTY’S INTIMACY Vocoders, electronics, synthesizers, vocal effects. Not necessarily musical terms associated with U.K. powerhouse Bloc Party but definitive additions to their newest LP Intimacy, which dropped last night after only a three-day lead time. It would seem we hardly had time to brace ourselves, to wrap ourselves around the band’s newest incarnation, a Chemical Brothers-referencing byproduct of the Manchester scene. And yet, upon initial examination, Bloc Party have managed to construct an organic world of genuineness and heartfelt emotion from the clicks and whistles of their new electronic front. Beginning track “Ares” is initially off-putting and we’ve all heard “Mercury” a few hundred times up until now, so the album really seems to begin with incredible standout “Halo”, which sounds like the older, wiser cousin of “Helicopter”. The album stays high from there, dipping into a softer territory with “Biko”, reminiscing on a Weekend in the City with “Zepherus”, and forging into new, beautiful territory with “Better Than Heaven”. Overall, Intimacy is an excellent record, though one that requires multiple listens to truly understand its theme of alienation, loss, and loneliness. Definitely makes the team and will probably be that one kid that surprises during competition with a rocking routine despite sitting out all the practices to write in her diary.
Bloc Party – “Halo” Bloc Party – “Better Than Heaven” ******************************************************************** INTERVIEW WITH PONYTAIL (CONT’D) Here’s the rest of our interview with Ken of one of our favorite bands of the year Ponytail. Enjoy!
CC: How would you describe the Ponytail sound? What inspired you to take this really adventurous route with your music? How did you come up with this style?
Ken: It came very organically and naturally stemming back to everyone expressing themselves individually while working together to create “songs” and this is sort of how things just are for us!
CC: What are some of your influences? What bands are you listening to right now? What are some of your favorite songs (both songs you’ve written and songs by other artists)?
Ken: I think our influences come from many genres, like classic rock, punk, electronic music and ambient music. This list of bands could stretch for a very long scroll, so I will spare getting too specific, but I must say that between the 4 of us we have many different influences. Right now I’m listening to a lot of Bill Frisell, Skinhead Ska (mainly this awesome band called Symarip), and Green Day.
CC: What inspired the use of vocals like Molly Siegel’s as an additional instrument rather than a traditional vocal delivery? Why do you sing this way and how in the world did this style come about?
Ken: I of course can’t answer for Molly, but I think it started as a noise that was clustered together with our ex-keyboard players style. Later, when he quit, the guitars and the drums emerged as a platform for experimentation and this is where we are today!
CC: Describe to us your artistic process. How do songs get written in the band, is it the music first, a theme, a riff, vocals?
Ken: I think we take pride in starting with a clean slate. Song writing, for us, can start in many different ways, whether an idea, or just picking a riff out of the air! Ideally, all 4 of us have input and we tailor our parts to specific to our personalities and very fun and challenging to each of us musically. It’s very frustrating and time consuming to write music, but so rewarding!
CC: For the uninitiated, what is your live show like? We’ve all heard unending praise for your performances, how would you describe them to someone who has never had a chance to see you? What goes through your mind when you’re performing?
Ken: We try to always give 100%. It’s very loud, and bouncy, and usually just hope we don’t make too many mistakes! It can be hard to keep it all together, but I really honestly feel that if the world is just right for that half hour we can channel some serious shit!!
CC: What’s it like receiving all this new attention from blogs like Pitchfork? Have you seen your fanbase increase and how do you deal with all the press and notoriety?
Ken: It’s exciting and it creates a lot of work for us! We have so much for to deal with now that we have never experienced. We are learning as we go. I don’t want to complain, so I will say that we are pursuing a dream and it’s hard to believe!
CC: Have you as a band ‘made it’ yet? What is it to ‘make it’ as a band and how can bands achieve the level of success that your band has?
Ken: This is only the second time I’ve been asked this question so I don’t know if I can really answer it adequately. My theory is, if we are in this same place in a year, we’re not progressing. That definition of “same place” is constantly shifting. I don’t want to plateau and I think we have so many goals and opportunities coming up, maybe we have “made it.” But its very subjective and I worry that corruption can occur when things become overblown. I really can’t answer this one! We just do our best and that’s all we can do!
CC: How much improvisation goes into your songs? Does the music flow out naturally or do the tunes take multiple takes and are carefully crafted? Describe to us the recording of Ice Cream Spiritual.
Ken: I never thought about improvisation with this band until people starting asking about it after the record came out. I used to be in a “Jam Band” and we didn’t even practice for shows, haha! So I think, with Ponytail, we do actually do a lot of editing and practicing, but we love to keep elements of uncertainty and ambiguity. I think we are a live band, the sounds you hear are being created live on stage, and that’s how music for is exists and it’s how we record. It seems very basic and traditional to me, haha!
CC: How would you classify yourselves genre-wise? Are you punk? Prog rock? Plain old indie? What genre do you identify with the most?
Ken: I think we used elements of so many genres in a way that can only be called “Pop,” to be honest.
Bonus question: Does it get annoying when people ask if Baltimore really is as tough as it seems on the Wire when you tell people you’re from there?
Ken: Haha, only because I haven’t watched the Wire enough to tell if they are serious orscrewing with us!
Comments? I’m especially eager to hear what people think of the new Bloc Party album! Also a big thanks to Ponytail – come to Austin guys!
FRIGHTENED RABBIT/OXFORD COLLAPSE IN AUSTIN Last night at Mohawk here in Austin audiences were treated to the indie-rock equivalent of the 0ne-two punch, with Scottish crooners Frightened Rabbit teaming up with poppy-punksters Oxford Collapse for an evening of scorching numbers, all played with such effortlessness the boys in the bands made it look easy. Oxford Collapse opened and by the time lead guitarist Michael Pace’s amp blew out in mid-song we knew we were in for a good set. Playing loose and cavalier the trio bounced around the stage with an energy that even got the much-maligned Austin hipster crowd to shake their hips. Frightened Rabbit’s music, while definitely more reserved, nonetheless sounded equally bombastic with the band ripping through tracks from their newest LP the Midnight Organ Fight with ease. Tracks like “The Modern Leper” and Cannibal Cheerleader favorite “The Twist” got us to our feet in no time flat, and frontman Scott Hutchison sings each tune with the grit and fervor of a man holding back years of tears with each word. Both bands provided for an emotional experience that won’t soon be forgotten here in Austin. Great double bill and kudos to OC, FR, and especially Mohawk. Here are some more pics from last night:
Frightened Rabbit Oxford Collapse ******************************************************************** NEW STARS “BITCHES IN TOKYO” VIDEO One of our favorite releases of last year (as you can read from our first post ever) was Stars‘ In Our Bedroom After the War. It combined our love of well-honed and perfectly executed pop music with our penchant for subversive politics, all wrapped up with a little bit of rock and roll to boot. One of the best songs from that album was undeniably “Bitches In Tokyo” so it’s awesome to see that even a year after the album was released we have the band’s new video for this standout track. Check it out below and be sure and pick up the entire Stars’ discography (if you like music that is). Bitches In Tokyo ******************************************************************** NEW BAND CHEER – PONYTAIL We’ve heard the rumblings about Baltimore’s Ponytail for a while now. From their recent Pitchfork review all the way back to mixtapes circling the Internet from radio stations in Maryland. But it wasn’t until we heard the band’s newest LP Ice Cream Spiritual, a bricolage of pop-punkery and noise-rock mashed into a rainbow cataclysm of sound and fury, that we decided to throw our full weight behind this great act. Truth be told Ponytail is one of our favorite new bands of the year bar-none and we’ll be impressed to see what they’ve got in store as the year progresses. Word on the street is they’re one of the best live acts around so here’s hoping they swing through Austin! MP3s are sadly still down but here’s a video to tide you over and introduce you to their fantastic sound. ******************************************************************** TERROR THURSDAY – CREEPERS One of the weirdest Terror Thursdays yet, Dario Argento’s Creepers (the American edit of Phenomena) stars Jennifer Connelly as the new girl in an all-female boarding school when murder mysteriously star occurring. Seemingly missing massive chunks of the plot due to perhaps a poor quality film print or bad editing (perhaps Phenomena is more complete?) the film nonetheless impresses with the Italian master’s signature artful kills and enough disgusting gore (pool of body parts and maggots anyone?) to impress even the most jaded horror fans. I give this one 3 out of 4 bloody pon-poms though it might get more when I rent the full version of the film. Look for the review in the future!
That’s it for this week folks! Hopefully mp3s will be back next week! Any comments?
Wonderful week of live shows here at Cannibal Cheerleader with one of our personal favorites Ponytail from Baltimore absolutely wrecking shop at Red 7 last night. A completely amped up crowd mobbed the front of the stage from song one and given that the quartet never let the energy-level drop below ‘blazingly electric’ the enthusiasm ripped the night in half. Much is written about the vocal stylings of Molly, Ponytail’s lead vocalist, but it was her backing band that stole the show, with churning guitar lines seamlessly converging into dueling spidery solos, all backed by the furious assault of the drummer who left his seat on more than one occasion with reckless abandon, wailing on his drums like he was beating back hellfire.
Playing through classics old and new, including personal CC favorite “Late For School” (yay!) the band cemented their reputation as not just another instrumental band but a indie-rock powerhouse with enough energy to power a small city into the new millennium and beyond. Fantastic set.
Our friends in Agent Ribbons have been busy bees lately, what with opening up for Camera Obscura and picking up Naomi Cherie from the sorely departed Southern Drama all in the last few months. And now the California trio, on top of eberything, have sneaked in time to record a fantastic new 7″ entitled Your Love is the Smallest Doll, and it combines the lyrical whimsy and vaudevillian stylings of earlier recordings with a more fleshed-out sound care of Cherie’s string section. Featuring some of the group’s most infectious tunes, this EP comes highly recommended, if only for the title track’s vocal harmonies and liberal usage of toy piano.
Agent Ribbons – “Your Love is the Smallest Doll”
Here’s the word from Cannibal Cheerleader favorite Pull In Emergency via the band’s Myspace:
Lots of news in the Action Design department, as the band is currently flying about the country on a new tour and will be touching down in Austin on May 25th. Not only that but the band has a new video forthcoming for standout single “Landmines” and we have the ‘pre-video video’ here to prove it. Check it out below!
Been a while since we sat down with the Heartsrevolution crew but the duo of Lo and Ben have been getting a lot of press recently, what with their inclusion on Gossip Girl (quite a soundtrack that show) and being given the Kitsune Maison nod. Now the group has a new video for a song entitled “The Rose and Her Prince”. A much for downbeat tune for the group but a welcome experimentation for such an interesting band. Can’t for the life of me figure how to embed this but check it out here.
