NEW CRYSTAL CASTLES REMIX VIDEO Here’s a new video from Cannibal Cheerleader favorite Crystal Castles for their remix of White Lies‘ “Death” off the latter’s To Lose My Life… LP which leaked on this site way back in the day over here. A bizarre and psychedelic dark journey through a suburban teenager’s adolescence, the video churns and lumbers forward on the back of E. Kath’s driving basslines – definitely a video worth watching, check it below!
Crystal Castles – “Death (White Lies Remix)” ******************************************************************** WOLVES IN THE THRONE ROOM LIVE IN AUSTIN A night of black metal mayhem and mind-blowing muscianship (check for Norwegian in-jokes there) last night at Emo’s here in Austin with Wolves in the Throne Room leading a killer lineup that also included Neurosis’ heir apparent A Storm of Light and Atx’s own the Roller. The Roller kicked off the night with a banshee-screaming bang, pummeling through several barn-burning odes to blackened death metal with a Southern edge, screaming of equal parts Eyehategod and Venom, with drone-infusions bleeding into inflections of guitar-shredding classicism. Featuring a brand new bassist, the Roller seem poised to explode outside the Austin scene and onto the black metal market. A Storm of Light followed, featuring a sound-mix loud enough to seep between one’s ribs and rip the air out of the lungs within. As visuals of a giant sea-creatures and wrecked vessels sinking into the black ocean projected behind the three-piece, the massive boom of the band, coupled with their extreme stage presence and fierce instrumentation, recalled images of noise-era Swans or early Neurosis, unrelenting in its massive, morose spectacle. Indeed, the band featured female vocal stylings (care of a laptop) from none other than Jarboe of Swans fame, and when the lead guitarist of Wolves in the Throne Room hopped onstage for a song, the collaborative nature of the band became even more apparent. Overall, an incredibly tough act to follow. Wolves in the Throne Room took to the stage next very slowly, lighting candles around the drum kit and tinkering with their tuning all in full view of a near-capacity crowd. Not known for their low-register bass work, WITTR sounded unbelievably shrill and fierce in their mid-range pitch after the heavy doom inflections of ASOF. Nonetheless, after a few songs the band truly stepped into their own, allowing subtle melodies and shocking changeups to carry the churning swell of their music to their darkest heights. Halfway through their set the band, absolutely soaked with sweat, found a transcendant chord in their guitar-work, combining a shoegaze atmosphere with a deep and dreadful sense of horror, the acidic lead vocals slicing a bloody path through the middle of the cloud of thunderous sound. Collapsing in a literal heap as their set wound to a close, the band did not play an encore, their reign already cemented over the room full of adoring fans. These guys will be playing again in Austin in July – you can count on Cannibal Cheerleader being there with bells on. Wolves in the Throne Room – “Vastness and Sorrow” ******************************************************************** NEW BAND CHEER: THE AXONS Lots of great finds this week at Cannibal Cheerleader, beginning with the Axons, a Zombies-infused bedroom pop trio right here out of Austin, Texas who boast a signature sound that’s equal parts fresh cuts of psychedelia and classic-rock British invasion. Discovering this group at a recent art-gallery after party at a sleezy downtown bar, the band seemed poised to blow every other act out of the water with their simple template and pitch-perfect execution. What the Strokes did to the Velvet Underground and Vampire Weekend did to Graceland, the Axons, led by the inimitable Merritt Fields does to the Kinks. Check out the mp3 and a few videos from the show below!
The Axons – “A Falconer’s Lament” ******************************************************************** UME KICK OFF MASSIVE TOUR Cannibal Cheerleader local-faves Ume are beginning a trek across the the Northeast, winding back down to the Southern states all this June. Check out the rad poster above for this completely rad and underappreicated fuzz-rock trio. Definitely pick up their Sunshowers EP if you haven’t already, it’s one of our favorites of the year so far!
Ume – “Sunshower” ******************************************************************** NEW JEMINA PEARL TRACKS Seems as if all that posting on Puke Til You Punk wasn’t just blowing (puking) steam – Jemina Pearl of the inimitable and sadly departed Be Your Own Pet has been busy and she’s got a trio of new tracks that’re just begging to be eaten alive. Featuring the same tried and true vocal stylings that propelled BYOP through today’s punk rock muck and mire, the new solo material seems cleaner and more headphone-oriented, with sing-songy lyrics and a summery, care-free vibe. A different approach to the solo career than we expected Pearl to take (less blood and guts, more dance parties and bedroom casettes) but we can’t help but be excited for a Jemina pop album. Anyone got the mp3s? We ask because for now the tracks are only streaming over at the JP Myspace. Check it out!
Jemina Pearl – “Sheena Is A Punk Rocker (feat. Thurston Moore)” ******************************************************************** NEW BAND CHEER: DIAL Another awesome find, this time care of the cats of Brooklyn Vegan – DIAL, a trio from New Zealand, pack a wallop of a grindcore-influenced, experimentally edged, female vocalizing hardcore with a nod towards the more math-rock side of the metal music scene. With the recent announcement of personal favorite Robotic Empire rereleasing the band’s self-titled EP, interest has skyrocketed in a band whose main hook include a woman screaming ‘THE MASS GRAVE!’ at the top of her lungs. More power to this completely wicked, shrill, and venomous rock act. Makes us want to revisit our grindcore days in force.
DIAL – “Always at the Border” ******************************************************************** MARS VOLTA REVEAL OCTAHEDRON When Omar Rodriguez-Lopez, lead guitarist of prog-rock powerhouse and wildly imaginative musical extravaganza the Mars Volta, stated that the band’s new album Octahedron would be their “acoustic” album, one must’ve realized the news had to be taken with a grain of salt. Sure the album contains some slower, more ‘Pink Floyd/Yes’-influenced sweeps of grandeur, though from the band who crafted “Televators” and “The Widow” this shouldn’t come as a surprise. The novelty instead exists in the undercurrent of serenity to the album, a psychedelic dip into a sensory-deprivation chamber rather than a furiously frightening acid trip gone wonderfully wrong like in the Bedlam in Goliath. Which isn’t to say the album doesn’t have its rockers – tracks like “Cotopaxi” would give even the likes of “Drunkship of Lanterns” a run for their money as a soon-to-be fan favorite and even “Luciforms” has a level of monstrous energy that propels its melody along. On the whole however, the flow of the songs from one into the next create an air of purpose and message, not the disparateness of past works by the Volta, and in doing so the band has created without a doubt their most accessible, and in some ways one of their most enjoyable works yet. Awesome stuff, check it below.
The Mars Volta – “Desperate Graves” The Mars Volta – “Teflon” ******************************************************************** NEW BAND CHEER: IWRESTLEDABEARONCE Our grindcore itch has been getting out of hand recently, and seeing as this group was recently reviewed in our favorite magazine ever – we’re of course talking about Fangoria – we had to check Iwrestledabearonce out (if only for their completely awesome name). With a blazingly original sound that combines electronic-experimentation, guitar-shredding breakdowns, and equal-part shriek/sing female vocals, IWABO meets all the prerequisites for being one of Cannibal Cheerleader’s favorite new bands. To hear it is to understand it so we recommend you click the video below and download some of the following tracks with great haste – warning, may melt face. PS. Avoid the hipster accusations; nobody likes a scenester and frankly, if you’re a grindcore scenester I think that means we can legally kill you.
Iwrestledabearonce – “Danger in the Manger” Iwrestledabearonce – “See You In Shell” ******************************************************************** NEW AGENT RIBBONS INTERVIEW VIDEO Here’s a wonderful little interview video from the ladies in Agent Ribbons that we had to plug if only for their adorable red hair color. The ladies are reveal their upcoming work on their second album and what the future holds for the band. Oh ladies, steal me away…
Agent Ribbons – “Obituary” ******************************************************************** (OLD) BAND CHEER: AGORAPHOBIC NOSEBLEED Sometimes we here at Cannibal Cheerleader get to the party late, and that’s certainly the case when it comes to one of our favorite new (i.e. new to us) acts, the monolithic, infamous grindcore band Agoraphobic Nosebleed. This fearsome foursome has been around for quite some time apparently in different forms though the band’s newest release Agorapocalypse includes Kat from personal favorite Salome, which is how we stumbled across this band to begin with. If you haven’t heard of this absolutely pummeling grindcore act you owe it to yourself to check it out – and if you’re a longtime fan, the new LP deserves a re-listen immediately. This band kills indiscriminately, employing three different vocalists and a blazing cavalcade of guitars and drum machines behind the haunting wails and spitfire vocal assault. Seriously, get on this n-o-w.
Agoraphobic Nosebleed – “First National Stem Cell and Clone” Agoraphobic Nosebleed – “Trauma Queen” ******************************************************************** BUSDRIVER REVEALS JHELLI BEAM We here at Cannibal Cheerleader fondly remember our halcyon days of underground rap obsession, backpacker allegiance and Cannibal Ox worship, and one of our top acts of yesteryear Busdriver has just burst back onto the scene with his latest opus, Jhelli Beam, a return to form for an artist whose Roadkill Overcoat, while containing superior wordplay sacrificed his more abstract tendencies for pop listenability. The fourteen tracks that make up the motor-mouth rapper’s newest LP not only delight in experimentation but embrace it with force, with bizarre feed-back loops darting behind the fever-dream lyricism Busdriver has become known for. One of our favorite releases of the year so far, bar none. Definitely check out a few of the mp3s below and let us know what you think!
Busdriver – “Handfuls of Sky” Busdriver – “Least Favorite Rapper (feat. Nocando)” ******************************************************************** STREAM NOUVELLE VAGUE’S NV3 To wrap up this massive update head on over to Nouvelle Vague’s Myspace page and give a listen to their excellent third collection of French-noir-film inspired covers. This time the list of covered artists seems even more far-reaching, including Depeche Mode, the Sex Pistols, and even the Violent Femmes. Definitely shoot on over.
THE MARS VOLTA RELEASE COTOPAXI Here’s the first single from the upcoming Mars Volta LP Octahedron. Sounds like some classic MV, a little less in-your-face that the Bedlam in Goliath but featuring the same energetic instrumentation with a flecks of Deloused in the psychedelic chorus. Definitely worth a listen, grab it below.
The Mars Volta – “Cotopaxi” ******************************************************************** BILL CALLAHAN IN AUSTIN Last Friday at Waterloo Records here in Downtown Austin local freak-folk hero Bill Callahan (aka Smog) performed some tracks from his new, hypnotic LP Sometimes I Wish We Were An Eagle to a hushed and reverent Texas audience. Marking a return to the darker days of his lo-fi cassette recordings, Callahan kept a crowded record store absolutely rapt with attention as he lightly strummed and picked through literary and intricate tracks. If you haven’t heard the new LP, definitely grab it from this Austin legend. Bill Callahan – “Jim Cain” ******************************************************************** NEW CELEBRATION SONGS Check out the new website from Cannibal Cheerleader favorites Celebration – it’s called Electric Tarot and it’s based on the idea that the 22 tracks from their latest LP of the same name are related to the 22 major archana of the Tarot deck. Their site will feature a full deck with cards being added over time. Studio recordings will be the major archana, home recordings the minor, and the Court cards will be Celebration videos. Sounds like a really cool idea to us, check out the mp3s and videos below for the first two songs, “What’s This Magical” (The Shaman/Magician Card) and “I Will Not Fall” (The Fool Card). Awesome stuff.
Celebration – “What’s This Magical” Celebration – “I Will Not Fall” ******************************************************************** NEW BLOC PARTY VIDEO Here’s the video for the Villains’ remix of “Ares” as featured on Bloc Party’s Intimacy: Remixed LP. It’s an all cell-phone-camera production recorded from two nights at London’s Olympia Theater. Very cool idea and even better realization. Take a look below.
NEW MARS VOLTA ALBUM NEWS AND COVER ART Check that bad boy out! Word on the street is (very early, blogosphere speculative word that is) that this wonderful monstrosity is indeed the face of Octahedron, the newest release from Texas’ own The Mars Volta, one of our favorite bands of all time. Lots of speculation and rumor surrounding this release so let’s lay down a few things we do know, starting with the tracklist:
“Since We’ve Been Wrong”
“Teflon”
“Halo of Nembutals”
“With Twilight as My Guide”
“Cotopaxi”
“Desperate Graves”
“Copernicus”
“Luciforms”
Also notable is the suggestion that this album will be a more subdued and listenable approach to TMV’s sound, an experience Omar Rodriguez-Lopez has dubbed “acoustic”, though it’s anyone’s guess as to what acoustic can mean for this band. Still, a step towards listenability may just be an approach to greater rockness, though there’s hardly any chance this album could conquer the behemoth (no pun intended) that was the Bedlam in Goliath. Still, here’s hope “Since We’ve Been Wrong” is a Kelly Clarkson cover (it IS the first single after all).
Another interesting tidbit – check out this photo below, which is the background of Hello Merch’s Mars Volta page. Below that you’ll see the mountain the picture was based on, called “Cotopaxi”. Coincidence? We think not! Maybe another piece of the art puzzle, look out for more clues folks! Lastly here’s a live bootleg version of “Since We’ve Been Wrong” from their New Year’s Eve show this past December. Get excited.
The Mars Volta – “Cavalettas” ******************************************************************** NEW BALMORHEA VIDEO Here’s Austin’s own Balmorhea’s newest video for “Remembrance” off their excellent third LP All Is Wild, All Is Silent. Enjoy!
Balmorhea – “Settler” ******************************************************************** THE ARM TO REUNITE IN AUSTIN Back in the day, back when things were real different here in Austin, there used to be this rather electric dance-punk group whose combination of Interpol-esque pathos merged seamlessly with their industrial, Bloc Party beats to create a local powerhouse of Gang of Four-style indie rock – that group was called the Arm and they broke up YEARS ago it seems. Well imagine our surprise when we found out the group would be reforming for one night only at a headling show at Emo’s on May 9th. You know we’ll be there! Check out the group’s Myspace for more details!
BACK IN ACTION Rising from the grave, it’s Cannibal Cheerleader, here to award the faithful and punish the nonbelievers! But seriously folks I’m back and ready to report. Grad school apps still stretch to the horizon but I miss my little corner of the internet to stay away any longer.
A few changes: 1. No more quick bites! If I only have one thing to post in a day (or just not enough time to flesh out a post) that’s just all you get people! Having too much of a workload drove me away in the first place, so try and keep me around this time – it’s supposed to be fun! 2. More original content! More videos, more new band cheers, more interviews, and less linking to Stereogum and Pitchfork. 3. Stop emailing me record labels! I appreciate your concern, but I usually just report on things I like, not the next big indie thing you’re trying to sell me. Take me off your list if I’m on there, I don’t want to read it! And no, the (insert indie band here) do not sound like the new Beatles.
ON WITH THE HORROWSHOW!!! ******************************************************************** CAT POWER IN AUSTIN Over the break the much-awaited do-over show by Cannibal Cheerleader favorite Cat Power finally landed in Austin and to those who missed it, you definitely skipped out on what may go down as the best live music performance in the capital city all year! No exaggerations here, Chan Marshall and her Dirty Delta Blues Band tore up the stage with soulful ballads of wounded hearts and dusty roads, a perfect mixture of rhythm and blues, country, and good old fashioned indie rock and roll. The setlist concentrated chiefly on tracks from this year’s criminally underrated Jukebox and the seminal The Greatest, though the brilliant opener, which really set the tone for the whole night, was a woeful and charismatic take on “I Don’t Blame You” from You Are Free. Marshall flitted across the stage with a sexy confidence that kept the crowd screaming even during slow, quiet renditions of tracks like “The Moon” and “Silver Stallion”. Her performance, once notoriously unsure and nervous now exudes a quiet confidence not unlike the downtrodden characters of her cover songs; they’ve both managed to see it all, reach the bottom, and come back out on the other side, tired and hurt and all the better for it. The backing band was excellent as well, with guitarist Teenie Hodges, who performed the intricate guitarwork on the Greatest, joining the group mid-set. Their playing was not-unlike a smokey-bar jam band, twisting in out and out of each song, mixing and changing things up as they went along. By the end of the night Marshall and crew had captured the hearts of every man and woman in attendance at Stubb’s that night. During “Angelitos Negros” she threw a bouqet of flowers in the crowd, as if spreading her new found happiness over everyone. Truly an unforgettable show and deserving of all its praise. Dust off those old Cat Power LPs if you’ve got them, it’s time to rediscover one of the best artists of our time. More pictures below: Cat Power – “Metal Heart” ******************************************************************** ACL REVIEW Due to extenuating circumstances I was only able to attend one day of this year’s ACL Festival, but it was a doozy! As usual, ACL was overcrowded, too dusty, miserable at times, and fantastic at others. I’m always iffy at the end of each fest if I’ll be back next year, and then inevitably, I’m there again.
This year’s highlights begin with Vampire Weekend, who have of course been getting a lot of blog backlash since they hit the big time with their self-titled debut. However, the Oxford crew seriously tore up the stage during their early afternoon set on Friday, debuting a few new songs and keeping the crowd dancing with the classics. Overall, I think even I underestimated the enjoyability of these tracks live, as I found myself twisting to “A-Punk” alongside hundreds of others. Definitely a treat. Next was Jenny Lewis (whose new album Acid Tongue is brilliant by the way) whom we were able to capture only from far away. While the pictures aren’t so good and the stage not really suitable for her new, big band sound, it’s probably impossible for this fiery frontwoman to flop, as she belted out classics like “Rise Up With Fists” and ripped through new barn-burners like “The Next Messiah” and “Jack Killed Mom”. Whether she was striking the keys behind her piano or strumming riffs on the guitar, Lewis was in fine form in front of a loving crowd. Definitely worth the price of admission. Lastly, there was the Mars Volta, who my friend insisted was the greatest band of all time. Perhaps loudest or most confusing might have been a better title, as the band blasted through most of the tracks from their newest LP the Bedlam in Goliath, with such abandon that it might have seemed like they didn’t care about the crowd at all. I’m not totally convince they did ever give a shit at any point but when the Volta are on they’re great, and when they fall into weird, prog, static territory they’re basically unlistenable. Overall, the show fell comfortably in the middle, leaving the crowd not satisfied or unsatisfied and instead mostly confused. Oh well.
See you next year ACL, if I’m still dumb enough to buy a ticket next year!
Jenny Lewis – “Acid Tongue” ******************************************************************** NEW BAND CHEER: BEYOND GODS & EMPIRES The Austin metal scene, like most hard rock scenes in the South, is criminally underrated, and the fact that locals Beyond Gods & Empires aren’t opening for Pig Destroyer yet is a testament to that fact. This crushing four-piece combines a dual-vocal attack a-la the Red Chord with a doom-metal instrumental approach that’s equal parts High on Fire and Converge. Songs stretch to the dark horizon but the brutal assault continues throughout. Definitely a band to keep on your radar. Don’t believe me? Check out this Cannibal Cheerleader video below and see for yourself! Check the band out at their Myspace.
******************************************************************** NEW BAND CHEER: LUCKY SOUL Sifting through the CMJ overload that occurred in the past few weeks, I came upon this real gem of a band whose first string of US shows garnered them a lot of much deserved praise. Lucky Soul hail from Londontown but their sound is all New York-girl-group, with bouncy melodies crackling behind moody tales of heartbreak as sung by the smoky-voiced Ali Howard. Equal parts delicately poppy and brashly rock and roll, the music plays without a wink of irony, no great nod to the past, and sounds all the more genuine because of it. The group’s debut The Great Unwanted was well-received in their home country and the group is now working on teh followup. You can bet we’ll be first on the list to hear any new tracks!
Here’s a new video from Cannibal Cheerleader favorite Crystal Castles for their remix of White Lies‘ “Death” off the latter’s To Lose My Life… LP which leaked on this site way back in the day over here. A bizarre and psychedelic dark journey through a suburban teenager’s adolescence, the video churns and lumbers forward on the back of E. Kath’s driving basslines – definitely a video worth watching, check it below!
A night of black metal mayhem and mind-blowing muscianship (check for Norwegian in-jokes there) last night at Emo’s here in Austin with Wolves in the Throne Room leading a killer lineup that also included Neurosis’ heir apparent A Storm of Light and Atx’s own the Roller.
The Roller kicked off the night with a banshee-screaming bang, pummeling through several barn-burning odes to blackened death metal with a Southern edge, screaming of equal parts Eyehategod and Venom, with drone-infusions bleeding into inflections of guitar-shredding classicism. Featuring a brand new bassist, the Roller seem poised to explode outside the Austin scene and onto the black metal market.
A Storm of Light followed, featuring a sound-mix loud enough to seep between one’s ribs and rip the air out of the lungs within. As visuals of a giant sea-creatures and wrecked vessels sinking into the black ocean projected behind the three-piece, the massive boom of the band, coupled with their extreme stage presence and fierce instrumentation, recalled images of noise-era Swans or early Neurosis, unrelenting in its massive, morose spectacle. Indeed, the band featured female vocal stylings (care of a laptop) from none other than Jarboe of Swans fame, and when the lead guitarist of Wolves in the Throne Room hopped onstage for a song, the collaborative nature of the band became even more apparent. Overall, an incredibly tough act to follow.
Wolves in the Throne Room took to the stage next very slowly, lighting candles around the drum kit and tinkering with their tuning all in full view of a near-capacity crowd. Not known for their low-register bass work, WITTR sounded unbelievably shrill and fierce in their mid-range pitch after the heavy doom inflections of ASOF. Nonetheless, after a few songs the band truly stepped into their own, allowing subtle melodies and shocking changeups to carry the churning swell of their music to their darkest heights. Halfway through their set the band, absolutely soaked with sweat, found a transcendant chord in their guitar-work, combining a shoegaze atmosphere with a deep and dreadful sense of horror, the acidic lead vocals slicing a bloody path through the middle of the cloud of thunderous sound. Collapsing in a literal heap as their set wound to a close, the band did not play an encore, their reign already cemented over the room full of adoring fans. These guys will be playing again in Austin in July – you can count on Cannibal Cheerleader being there with bells on.
Wolves in the Throne Room – “Vastness and Sorrow”
Lots of great finds this week at Cannibal Cheerleader, beginning with the Axons, a Zombies-infused bedroom pop trio right here out of Austin, Texas who boast a signature sound that’s equal parts fresh cuts of psychedelia and classic-rock British invasion. Discovering this group at a recent art-gallery after party at a sleezy downtown bar, the band seemed poised to blow every other act out of the water with their simple template and pitch-perfect execution. What the Strokes did to the Velvet Underground and Vampire Weekend did to Graceland, the Axons, led by the inimitable Merritt Fields does to the Kinks. Check out the mp3 and a few videos from the show below!
Cannibal Cheerleader local-faves Ume are beginning a trek across the the Northeast, winding back down to the Southern states all this June. Check out the rad poster above for this completely rad and underappreicated fuzz-rock trio. Definitely pick up their Sunshowers EP if you haven’t already, it’s one of our favorites of the year so far!
Seems as if all that posting on Puke Til You Punk wasn’t just blowing (puking) steam – Jemina Pearl of the inimitable and sadly departed Be Your Own Pet has been busy and she’s got a trio of new tracks that’re just begging to be eaten alive. Featuring the same tried and true vocal stylings that propelled BYOP through today’s punk rock muck and mire, the new solo material seems cleaner and more headphone-oriented, with sing-songy lyrics and a summery, care-free vibe. A different approach to the solo career than we expected Pearl to take (less blood and guts, more dance parties and bedroom casettes) but we can’t help but be excited for a Jemina pop album. Anyone got the mp3s? We ask because for now the tracks are only streaming over at the JP Myspace. Check it out!
Another awesome find, this time care of the cats of Brooklyn Vegan – DIAL, a trio from New Zealand, pack a wallop of a grindcore-influenced, experimentally edged, female vocalizing hardcore with a nod towards the more math-rock side of the metal music scene. With the recent announcement of personal favorite Robotic Empire rereleasing the band’s self-titled EP, interest has skyrocketed in a band whose main hook include a woman screaming ‘THE MASS GRAVE!’ at the top of her lungs. More power to this completely wicked, shrill, and venomous rock act. Makes us want to revisit our grindcore days in force.
When Omar Rodriguez-Lopez, lead guitarist of prog-rock powerhouse and wildly imaginative musical extravaganza the Mars Volta, stated that the band’s new album Octahedron would be their “acoustic” album, one must’ve realized the news had to be taken with a grain of salt. Sure the album contains some slower, more ‘Pink Floyd/Yes’-influenced sweeps of grandeur, though from the band who crafted “Televators” and “The Widow” this shouldn’t come as a surprise. The novelty instead exists in the undercurrent of serenity to the album, a psychedelic dip into a sensory-deprivation chamber rather than a furiously frightening acid trip gone wonderfully wrong like in the Bedlam in Goliath. Which isn’t to say the album doesn’t have its rockers – tracks like “Cotopaxi” would give even the likes of “Drunkship of Lanterns” a run for their money as a soon-to-be fan favorite and even “Luciforms” has a level of monstrous energy that propels its melody along. On the whole however, the flow of the songs from one into the next create an air of purpose and message, not the disparateness of past works by the Volta, and in doing so the band has created without a doubt their most accessible, and in some ways one of their most enjoyable works yet. Awesome stuff, check it below.
Our grindcore itch has been getting out of hand recently, and seeing as this group was recently reviewed in our favorite magazine ever – we’re of course talking about Fangoria – we had to check Iwrestledabearonce out (if only for their completely awesome name). With a blazingly original sound that combines electronic-experimentation, guitar-shredding breakdowns, and equal-part shriek/sing female vocals, IWABO meets all the prerequisites for being one of Cannibal Cheerleader’s favorite new bands. To hear it is to understand it so we recommend you click the video below and download some of the following tracks with great haste – warning, may melt face. PS. Avoid the hipster accusations; nobody likes a scenester and frankly, if you’re a grindcore scenester I think that means we can legally kill you.
Here’s a wonderful little interview video from the ladies in Agent Ribbons that we had to plug if only for their adorable red hair color. The ladies are reveal their upcoming work on their second album and what the future holds for the band. Oh ladies, steal me away…
Sometimes we here at Cannibal Cheerleader get to the party late, and that’s certainly the case when it comes to one of our favorite new (i.e. new to us) acts, the monolithic, infamous grindcore band Agoraphobic Nosebleed. This fearsome foursome has been around for quite some time apparently in different forms though the band’s newest release Agorapocalypse includes Kat from personal favorite Salome, which is how we stumbled across this band to begin with. If you haven’t heard of this absolutely pummeling grindcore act you owe it to yourself to check it out – and if you’re a longtime fan, the new LP deserves a re-listen immediately. This band kills indiscriminately, employing three different vocalists and a blazing cavalcade of guitars and drum machines behind the haunting wails and spitfire vocal assault. Seriously, get on this n-o-w.
We here at Cannibal Cheerleader fondly remember our halcyon days of underground rap obsession, backpacker allegiance and Cannibal Ox worship, and one of our top acts of yesteryear Busdriver has just burst back onto the scene with his latest opus, Jhelli Beam, a return to form for an artist whose Roadkill Overcoat, while containing superior wordplay sacrificed his more abstract tendencies for pop listenability. The fourteen tracks that make up the motor-mouth rapper’s newest LP not only delight in experimentation but embrace it with force, with bizarre feed-back loops darting behind the fever-dream lyricism Busdriver has become known for. One of our favorite releases of the year so far, bar none. Definitely check out a few of the mp3s below and let us know what you think!
To wrap up this massive update head on over to Nouvelle Vague’s Myspace page and give a listen to their excellent third collection of French-noir-film inspired covers. This time the list of covered artists seems even more far-reaching, including Depeche Mode, the Sex Pistols, and even the Violent Femmes. Definitely shoot on over.
