SPOON ANNOUNCE X3 FEST AT STUBBS Sorry about the lack of posts this week Cannibal Cheerleader faithful (busy times here in the Atx) but we’re extremely excited to announce that Austin’s favorite indie-rockers Spoon will be headlining their own three-day fest from July at Stubb’s here in the capital city called Spoonx3. The band will be headlining all three days with different opening bands each day, including Cannibal Cheerleader favorite Low opening for them on Friday.
NEW BLOC PARTY REMIX ALBUM The new Bloc Party album features the choicest cuts from remixes from the band’s catalogue to date. While Silent Alarm Remixed, while awesome, may have suffered from some fluff, the feeling that immediately arises from Intimacy Remixed is judiciousness, a carefully selected assortment of tracks featuring the best collage of dub, club bangers, dream-pop, and the signature Bloc Party spidery indie-rock. One of our favorite releases so far this year, check it.
NEW GOD HELP THE GIRL ALBUM With rumors abound that Glasgow indie-poppers Belle & Sebastian may be down for the count, it came as a great relief to learn about God Help The Girl, a storyline-driven twee-opera side project from wunderkind B&S frontman Stuart Murdoch. Featuring lilting indie classics like “Come Monday Night” and mixing in slow-burning rockers like “I Just Want Your Jeans” (featuring Asya from Smoosh, who we love by the way), God Help the Girl seems a natural progression from the more progressive-pop of the Life Pursuit. Here’s hoping it’s not the band’s swan song!
The Cannibal Cheerleader Blood Bath recap continues with the Whispertown 2000, who put on an absolutely electric show last Wednesday at the Peacock in Downtown Austin. One of several stops on the band’s SXSW day party roundup, Morgan Nagler and company still managed to bring down the house with songs old and new, including several excellent cuts from their latest LP Swim.
Speaking to Morgan at the bar before the band played, she revealed the band was operating on so little sleep that they were feeling a little delirious, albeit the good kind of delirious. After a whirlwind jaunt down to Texas that saw them renting motel rooms for all of three hours before hitting the road again, the group dashed into Austin and immediately began playing shows, fueled only by a passion for playing and a good deal of free alcohol. Here’s to you W2K, our favorite traveling troubadours!
SXSW LIVE REVIEW: SVIIB, POBPAH (yay abbreviations!)
Friday was definitely a day of rest from SXSW proper, but that doesn’t mean we didn’t head down to Emo’s to check out some buzz-worthy bands, including the Pains of Being Pure at Heart and School of Seven Bells. Pains of course sounded heavenly, churning through now classic cuts from their self-titled debut, but it was SVIIB that really took the stage by storm, churning out fierce guitar-lines care of their ex-Secret Machines guitarist and screaming psychadelic with trippy dual-female vocal stylings. The Cannibal Cheerleader crew was definitely mesmerized by this one! One of the best bills of the whole weekend, quite the show.
On the opposite end of the spectrum from any of these bands comes Virginia-based doom metal outfit Salome (named after the woman who sentenced John the Baptist to death – how metal is that?) who on their four-track, near 45-minute self-titled debut LP mange to create enough carnage to beckon any apocalypse down on our heads. Seriously, this trio, helmed by Kat on wild-eyed, satan-worshipping vocals, R. Moore on stoner-jam, fever-dream guitar riffs, and Deal on pummeling, madness-inducing drums, has created one of the best metal records we’ve heard all year, on par with Crack the Skye and Static Tensions. If you haven’t heard of these guys yet, check them out immediately, they are truly a cannibalistic feast for the ears. Check it:
Lastly today here’s the cover of the new Intimacy: Remixed record from Bloc Party who have now posted the remixes of “One Month Off”, “Mercury”, “Talons”, and “Ares” on their Myspace (plus you can find the “Better Than Heaven” remix here). Looks like they kept the blacklit scheme from Silent Alarm:Remixed and all the better really, as Bloc Party album covers are always the best. Can’t wait to hear “Halo”!
Also check out this awesome video from Letterman! Watch for trippiness at 2:44.
INTERVIEW WITH PONYTAIL Recently, Cannibal Cheerleader had the opportunity to conduct an interview with Ken Seeno of Baltimore’s own Ponytail, a fantastic band whose new album Ice Cream Spiritual is fast becoming one of our favorites of the year. The band’s penchant for wildly inventive riffs, 7-minute strong structures, and legendary live performances has garnered them international acclaim, and now Ken answers a few questions about what ties the Ponytail together.
CC: Describe to us the story of Ponytail, what makes you tick and how you came to be. How did you meet and how did you come up with your band dynamic?
Ken: Well it should be noted that we were put together randomly without having known each other. We all by chance took a class 4 years ago entitled “Parapainting” at the Maryland Institute College of Art. The professor, Jeremy Sigler, is a poet from New York City. It was his concept that everyone in the class should be formed into bands in order to create art groups that would practice alongside the art world. By the second class we had been put together based on first impressions. At the end of the semester we played 1 show and when it was over, we kept going!
Our candid and interesting interview continues at the end of this post. Be sure to check out Ponytail at their Myspace in the meantime!
We are proud to announce that our new album, “Swim”, will be released on Acony records on the 21st of October!!!!
The greatest.
One new song, “Pushing Oars”, has been posted for your listening enjoyment. Unless, of course, you don’t enjoy it, in which case it’s been posted to bum you out.
We have a few upcoming dates posted with Jenny Lewis, and also a Nashville date, the home of our new label! Come visit us, and we’ll post more dates soon..
How are you?
What are you doing?
with love, your friend, morgan xo”
“Pushing Oars” sounds like a lovely, stripped down indie-rock crooner with a country tinge and rainy Northwestern sadness. Definitely a great track and makes our mouths water for Swim in full. Can’t wait until Oct. 21st! Here’s a Whispertown oldie to keep you occupied in the meantime!
Whispertown 2000 – “Intentions” ******************************************************************** TRYOUTS: BLOC PARTY’S INTIMACY Vocoders, electronics, synthesizers, vocal effects. Not necessarily musical terms associated with U.K. powerhouse Bloc Party but definitive additions to their newest LP Intimacy, which dropped last night after only a three-day lead time. It would seem we hardly had time to brace ourselves, to wrap ourselves around the band’s newest incarnation, a Chemical Brothers-referencing byproduct of the Manchester scene. And yet, upon initial examination, Bloc Party have managed to construct an organic world of genuineness and heartfelt emotion from the clicks and whistles of their new electronic front. Beginning track “Ares” is initially off-putting and we’ve all heard “Mercury” a few hundred times up until now, so the album really seems to begin with incredible standout “Halo”, which sounds like the older, wiser cousin of “Helicopter”. The album stays high from there, dipping into a softer territory with “Biko”, reminiscing on a Weekend in the City with “Zepherus”, and forging into new, beautiful territory with “Better Than Heaven”. Overall, Intimacy is an excellent record, though one that requires multiple listens to truly understand its theme of alienation, loss, and loneliness. Definitely makes the team and will probably be that one kid that surprises during competition with a rocking routine despite sitting out all the practices to write in her diary.
Bloc Party – “Halo” Bloc Party – “Better Than Heaven” ******************************************************************** INTERVIEW WITH PONYTAIL (CONT’D) Here’s the rest of our interview with Ken of one of our favorite bands of the year Ponytail. Enjoy!
CC: How would you describe the Ponytail sound? What inspired you to take this really adventurous route with your music? How did you come up with this style?
Ken: It came very organically and naturally stemming back to everyone expressing themselves individually while working together to create “songs” and this is sort of how things just are for us!
CC: What are some of your influences? What bands are you listening to right now? What are some of your favorite songs (both songs you’ve written and songs by other artists)?
Ken: I think our influences come from many genres, like classic rock, punk, electronic music and ambient music. This list of bands could stretch for a very long scroll, so I will spare getting too specific, but I must say that between the 4 of us we have many different influences. Right now I’m listening to a lot of Bill Frisell, Skinhead Ska (mainly this awesome band called Symarip), and Green Day.
CC: What inspired the use of vocals like Molly Siegel’s as an additional instrument rather than a traditional vocal delivery? Why do you sing this way and how in the world did this style come about?
Ken: I of course can’t answer for Molly, but I think it started as a noise that was clustered together with our ex-keyboard players style. Later, when he quit, the guitars and the drums emerged as a platform for experimentation and this is where we are today!
CC: Describe to us your artistic process. How do songs get written in the band, is it the music first, a theme, a riff, vocals?
Ken: I think we take pride in starting with a clean slate. Song writing, for us, can start in many different ways, whether an idea, or just picking a riff out of the air! Ideally, all 4 of us have input and we tailor our parts to specific to our personalities and very fun and challenging to each of us musically. It’s very frustrating and time consuming to write music, but so rewarding!
CC: For the uninitiated, what is your live show like? We’ve all heard unending praise for your performances, how would you describe them to someone who has never had a chance to see you? What goes through your mind when you’re performing?
Ken: We try to always give 100%. It’s very loud, and bouncy, and usually just hope we don’t make too many mistakes! It can be hard to keep it all together, but I really honestly feel that if the world is just right for that half hour we can channel some serious shit!!
CC: What’s it like receiving all this new attention from blogs like Pitchfork? Have you seen your fanbase increase and how do you deal with all the press and notoriety?
Ken: It’s exciting and it creates a lot of work for us! We have so much for to deal with now that we have never experienced. We are learning as we go. I don’t want to complain, so I will say that we are pursuing a dream and it’s hard to believe!
CC: Have you as a band ‘made it’ yet? What is it to ‘make it’ as a band and how can bands achieve the level of success that your band has?
Ken: This is only the second time I’ve been asked this question so I don’t know if I can really answer it adequately. My theory is, if we are in this same place in a year, we’re not progressing. That definition of “same place” is constantly shifting. I don’t want to plateau and I think we have so many goals and opportunities coming up, maybe we have “made it.” But its very subjective and I worry that corruption can occur when things become overblown. I really can’t answer this one! We just do our best and that’s all we can do!
CC: How much improvisation goes into your songs? Does the music flow out naturally or do the tunes take multiple takes and are carefully crafted? Describe to us the recording of Ice Cream Spiritual.
Ken: I never thought about improvisation with this band until people starting asking about it after the record came out. I used to be in a “Jam Band” and we didn’t even practice for shows, haha! So I think, with Ponytail, we do actually do a lot of editing and practicing, but we love to keep elements of uncertainty and ambiguity. I think we are a live band, the sounds you hear are being created live on stage, and that’s how music for is exists and it’s how we record. It seems very basic and traditional to me, haha!
CC: How would you classify yourselves genre-wise? Are you punk? Prog rock? Plain old indie? What genre do you identify with the most?
Ken: I think we used elements of so many genres in a way that can only be called “Pop,” to be honest.
Bonus question: Does it get annoying when people ask if Baltimore really is as tough as it seems on the Wire when you tell people you’re from there?
Ken: Haha, only because I haven’t watched the Wire enough to tell if they are serious orscrewing with us!
Comments? I’m especially eager to hear what people think of the new Bloc Party album! Also a big thanks to Ponytail – come to Austin guys!
BLOC PARTY GET INTIMATE In an announcement that dropped jaws and got hips shaking worldwide, London’s own Bloc Party has revealed that their third LP, entitled Intimacy, will drop digitally this very Thursday and be available physically as soon as October. This move, reminiscent of the rush-to-the-streets strategies of the likes of Gnarls Barkley, Radiohead, and the Raconteurs, comes as a supposed result of the ridiculously early leak of the band’s last LP A Weekend in the City (which we hear at Cannibal Cheerleader had at least six months in advance). Here’s the tracklist:
01.Ares 02.Mercury 03.Halo 04.Biko 05.Trojan Horse 06.Signs 07.One Month Off 08.Zephyrus 09.Better Than Heaven 10.Ion Square
Of course we’ve all heard the inimitable “Mercury” and it’s Manchester-scene, vocoder heavy riffing, but in a separate announcement the band placed the as-of-yet unheard “Trojan Horse” on their Myspace today. Care to give a listen? We think it sounds like a more experimental “Prayer”, what do you think?
Bloc Party – “Trojan Horse” ******************************************************************** NEW MY MORNING JACKET VIDEO We here at Cannibal Cheerleader are waiting with bated breath for the August 24th My Morning Jacket here in Austin at Stubb’s, but until then, we’ll be satisfied with a new MMJ video for Evil Urges standout “Touch Me I’m Going To Scream, Pt. 2″. Check it below and stay tuned for pictures and a show review for what promises to be one of the top shows of the year next Sunday! My Morning Jacket – “White Rabbit” ******************************************************************** ANNUALS DROP NEW SINGLE Unsure about all this Sunfold side-project business? Just wish Annuals would get back to the bombast and rapture that characterized their wild, folk-tinged earlier work? Look no further young ones, as the band has revealed their new album Such Fun and it comes out Oct. 7th. Take a listen to first single “Confessor” and tell us the band isn’t back in fine, whimsical, volcanic form. Check it.
Sorry about the lack of posts this week Cannibal Cheerleader faithful (busy times here in the Atx) but we’re extremely excited to announce that Austin’s favorite indie-rockers Spoon will be headlining their own three-day fest from July at Stubb’s here in the capital city called Spoonx3. The band will be headlining all three days with different opening bands each day, including Cannibal Cheerleader favorite Low opening for them on Friday.
The new Bloc Party album features the choicest cuts from remixes from the band’s catalogue to date. While Silent Alarm Remixed, while awesome, may have suffered from some fluff, the feeling that immediately arises from Intimacy Remixed is judiciousness, a carefully selected assortment of tracks featuring the best collage of dub, club bangers, dream-pop, and the signature Bloc Party spidery indie-rock. One of our favorite releases so far this year, check it.
With rumors abound that Glasgow indie-poppers Belle & Sebastian may be down for the count, it came as a great relief to learn about God Help The Girl, a storyline-driven twee-opera side project from wunderkind B&S frontman Stuart Murdoch. Featuring lilting indie classics like “Come Monday Night” and mixing in slow-burning rockers like “I Just Want Your Jeans” (featuring Asya from Smoosh, who we love by the way), God Help the Girl seems a natural progression from the more progressive-pop of the Life Pursuit. Here’s hoping it’s not the band’s swan song!
