News for the ‘gallows’ Category

Sludge

ARCTIC MONKEYS REVEAL HUMBUG
Since we last left you Cannibal Cheerleader faithful the word on the street was still pretty sketchy on the details of the newest Arctic Monkeys LP. My how the times have changed. Seems as if the boys from Sheffield have been busy, releasing everything from the album cover (the hazy, retro image you see up there), to the title (the aforementioned, classically understated, and undeniably British Humbug), to the tracklist (the terse ten-song list you see below).

  1. “My Propeller”
  2. “Crying Lightning”
  3. “Dangerous Animals”
  4. “Secret Door”
  5. “Potion Approaching”
  6. “Fire and the Thud”
  7. “Cornerstone”
  8. “Dance Little Liar”
  9. “Pretty Visitors”
  10. “The Jeweller’s Hands”

We here at Cannibal Cheerleader have been Arctic Monkeys fans since the beginning, ever since they let loose with their punkish snarls and street-wise rhymes on their debut LP. When Favourite Worst Nightmare dropped we were stunned at the art-rock direction the band had chosen for their sophomore release, which featured the fearsome foursome flowering into rock monstrosities, artful tunesters whose lyrical chops and wicked instrumentation were forces to be reckoned with. And now, all signs point to an even more ‘Cannibal Cheerleader’ approach to their third album – stoner jams, Black Sabbath influences, hell even Josh Homme is aboard. Sludge city.
Check out this recent press photo featuring all the boys with classic slacker hair. Note the ‘molest-aches’ and Sabbath shirt. Now squirm on over to the news that Josh Homme of stoner-metal gods Queens of the Stone Age helped co-produce Humbug. Even track titles like “Fire and Thud” absolutely seethe with sludge-jam mentality. And frankly, that’s quite alright with us. Not only are we big stoner-jam fans to begin with, and Arctic Monkeys aficionados to boot, but we have an affinity for bands trying new things, broadening their horizons, and venturing outside their comfort zone. Here’s to Humbug coming through in spades.

Arctic Monkeys – “Take It Or Leave It (Strokes Cover)”
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JENNY LEWIS LIVE REVIEW
Sweltering heat accompanies any Austin, Texas summer night, and June 22nd was no different just because the cooling breeze that is the voice of Miss Jenny Lewis was in town. Still, as the sun set on the Stubb’s Waller Creek Amphitheatre here in downtown Austin, any audience member there could have told you there was no other place worth being than bathed in the glow of the sonorous tunes by the fiery redhead.
The evening started with Ohio-to-Austin transplants the Heartless Bastards churning away at their soulful rock-renditions, leaning heavily on the formidable strength of lead crooner Erika Wennerstrom’s inimitable voice.
Burning through tracks from their newest LP The Mountain as well as old crowd favorites, the band felt tight and pulverizing, Wennerstrom’s rhythm section choreographing their movements in tune with the songs like consummate rock professionals. The sound was mixed at a very bass-high level, allowing for a bombastic volume level that rumbled out over the enthusiastic crowd. After an all-too-short set the band wrapped up to make way for the main course.
Then, just as the sun set off in the distance Jenny Lewis trailed by boyfriend and co-writer of Acid Tongue Jonathan Rice and the rest of her ragtag traveling troupe took to the stage with force, leaping immediately into crowd favorite “See Fernando” before assaulting a bevy of old classics from her already formidable solo library. Whipping their way through track after track of instantaneously infectious indie-rock nuggets with equal parts country and rock twang, Jenny Lewis and company sounded wholly loose and carefree. While a Rilo Kiley performance, as awe-inspiring as they might be, come with at times an overabundance of gravitas, it became clear to the audience at Stubb’s that a Lewis solo performance was the exact opposite – an opportunity for the singer to delight in rock classicism and groove effortlessly without self-referencing.
Still, perhaps the most achingly gorgeous performance of the night was the solo-acoustic rendition of Rilo Kiley classic “Silver Lining” that saw Lewis alone on the stage, strumming away through the basic chords of the love-lorn tune, made all the more powerful by the absence of Blake Sennett. The band wrapped up the night with a cavalier and ramshackle take on “The Next Messiah” followed by an encore that featured a brand new song (”Big Wave”, one of two new songs of the night, the other being “Just Like Zeus”, both being infectious and sounding more Rilo Kiley-esque than most of Lewis’ current repertoire), “Acid Tongue”, and the hot-and-sweaty closer “Born Secular”. Overall a fantastic display of confident musicianship that once again reasserts Miss Lewis reign as the queen of indie-rock. Check out this wonderful video below found on YouTube – recorded maybe with a digital camera but the vertical lines make me think I’m watching an old home movie and the sound quality is pretty spot-on. Enjoy!

Jenny Lewis – “Acid Tongue”
Heartless Bastards – “Out At Sea”
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CRYSTAL CASTLES TUSSLE WITH SECURITY
Word on the street is Cannibal Cheerleader favorite Crystal Castles are some troublesome youngsters. Always gallivanting about, canceling shows (to great dismay), and generally acting like good ol’ fashioned rockstars. Now it seems they’ve gotten into yet another scrape, this time with security at the Sonar Festival in Barcelona. Sources say that after an entire set of battling with agonizing sound issues, Alice Glass decided to trash the band’s drum kit after the set was finished. Apparently, festival security didn’t enjoy her rowdy behavior and in the video below one can see a security guard scooping her up and away from the drums. However, in the last few seconds of the vid one can see E. Kath dashing to his singer’s aid and just as it looks like he’s about to throw a haymaker the video cuts out. Reports are a small tussle took place but the only punches thrown were by the tiny fists of Glass to undoubtedly little damage. Check it out below.

We here at Cannibal Cheerleader, Crystal Castles historians we are, have long since known about Glass’ penchant for causing a ruckus. Check out some of the videos our friends from the Lymbyc Systym sent us (their drummer pulls double duties in both bands) showcasing some onstage destruction. Obviously skip to the last part of both the videos for the real action.


Yep, seems as if Glass and Kath are quite the rapscallions. We’re not one to pass judgment on such things really – we’re just huge fans of the music. Still, all the ruckus and holier-than-thou arguments about how dastardly the Crystal Castles duo behave remind us of how the Brits hemmed and hawed over the Sex Pistols’ Bill Grundy interview – and how twenty years later they all realized how silly they all were for caring so much. And hell, we appreciate it when rock stars act as such. Here’s to a few destroyed hotel rooms at the Crystal Castles suite.

Crystal Castles – “Death (White Lies Remix)”
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SPINNERETTE RELEASE SELF-TITLED DEBUT
Coming off the heated anticipation following their Ghetto Love EP, Brody Dalle’s self-titled Spinnerette LP emerges, rising like some Garbage-influenced phoenix from the ashes of the Distillers. Never one to people please and not follow her own ambitions, Dalle here experiments with churning electronic loops and danceable rhythms recalling a solo-era Courtney Love with bigger chops and a greater sense of genuineness. And while the songs may at times seem cookie-cutter and over-produced, Dalle is nothing if not self-referential, taking an inherently shallow music medium and infusing it with hot sweat and malice, her trademark drawl and impassioned wails adding an air of desperation to the forlorn tracks and creating an undertone of experimentalism and depth that begs for multiple spins. The album has been receiving some flack from all sides, but the ultimate criticism that anyone can come up with is that Dalle is not delivering on the promise of Coral Fang Pt. 2. I’m sure she would say the album is her big middle finger to an industry that wishes to pigeonhole female artists into easily definable roles. This is Dalle’s Eagles of Death Metal and it kills.

Spinnerette – “All Babes Are Wolves”
Spinnerette – “The Walking Dead”
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JIM JAMES IS EVERYWHERE
The fact that My Morning Jacket has no release planned for this year hasn’t stopped lead crooner Jim James from remaining as prolific as ever. On top of releasing the excellent Celebración de la Ciudad Natal Record Store Day release featuring the Jacket performing live, James has also revealed that he will be releasing an EP of George Harrison covers under the pseudonym ‘Yim Yames‘ in tribute to the late Beatles guitarist. The release features recordings from Harrison’s days with the Beatles and his storied solo career.

In other Jim James related news, the Monsters of Folk album has been officially confirmed, and it combines the MMJ frontman with none other than M. Ward and Conor Oberst. The self-titled debut album is due out on Sept. 22nd and will feature fifteen barn-burning country-rockers. Tracklist below:

  1. “Dear God (sincerely M.O.F.)”
  2. “Say Please”
  3. “Whole Lotta Losin’”
  4. “Temazcal”
  5. “The Right Place”
  6. “Baby Boomer”
  7. “Man Named Truth”
  8. “Goodway”
  9. “Ahead of the Curve”
  10. “Slow Down Jo”
  11. “Losin Yo Head”
  12. “Magic Marker”
  13. “Map of the World”
  14. “The Sandman, the Brakeman and Me”
  15. “His Master’s Voice”

Yim Yames – “Behind That Locked Door”
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NEW BAND CHEER: COMPLETE COLLAPSE
Sometimes record store crawling can pay off in spades, as was the case when the Cannibal Cheerleader crew wandered into Trailer Space Records in East Austin to find female-fronted Atx hardcore group Complete Collapse spreading ruiniation between the indie and classic rock aisles. Despite having only been around since January the band is already gaining steam locally, and will be playing club shows and recording demos as the summer drags on. For our money however, the band, with their rip-snarl guitar attack and the guttural howl of lead singer Carrie, is one of the best hardcore punk groups representing Austin right now. Be sure and check their July 14th show at Red 7 and head over to their Myspace. Hail to the hardcore.
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JOIN JOY FORMIDABLE MAILING LIST
Seems as if our pals in The Joy Formidable have been busy – crafting a stunning debut LP, releasing three singles and three respective videos already from said 9-song album, and all the while keeping up with their fans on a very intimate level. It seems the band would like everyone to know they should sign up for their email list at their new official website so we here at Cannibal Cheerleader are definitely obliging. Won’t you? Be sure and keep track of this trio over at their Myspace – word on the street is they’ll soon be huge.

Joy Formidable – “The Greatest Light Is the Greatest Shade”
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NEW BAND CHEER: LA ROUX
Riding an electric storm across the Atlantic, fueled by infectious synth-beats and danceable harmonies, UK act La Roux are poised to storm the US and turn the Little Boots hysteria into ‘LaRoux-lite’. Sounding decidedly icy and unconcerned while maintaining enough crystalline tenderness and depth to really illuminate the fact that a great dance record when made well is also a great indie-rock record, the duo’s (producer Ben Langmaid and singer Emmy Jackson) self-titled debut swaggers with the confidence of a record deep into an artist’s career. With a tidal wave of British press behind the band and a Flock of Seagulls haircut that’s sure to be the focus of a million other articles on the highly coifed singer, La Roux are nonetheless the kind of understated dance act that’s sure to make a huge splash.

La Roux – “In For the Kill”
La Roux – “Colourless Colour”
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VOTE ROLO TOMASSI
One of our favorite acts of all time Rolo Tomassi is apparently in the running for the Kerrang! Magazine award for Best British Newcomer. To help the group claim this hefty title and wrestle it from those other poser bands you have to go to this website and vote immediately! Just put ‘ROLO TOMASSI’ in the text box and you’re all set. Let’s get Rolo Tomassi to the top where they belong!

As a quick aside it seems in all our Rolo Tomassi excitement we’ve somehow forgotten to introduce their excellent video for rawkus album opener “Oh, Hello Ghost”. Allow us to remedy that immediately and treat you to a string of hardcore infused Xmas lights and tiny wooden mannequin in a disturbing love triangle:

In other news it seems that Rolo Tomassi and one of our other favorite Holy Roar groups Throats will be releasing a special split 7″, with each band covering the other’s respective songs. Throats will be giving their own rendition of “I Love Turbulence” while the Spence’s and company will be delivering the goods on “Headclouds” and “Reign of Low”. Limited edition here folks, pre-order while you can. Here’s to these two awesome UK imports!

Rolo Tomassi – “Scabs”
Throats – “Deathnaps”
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NEW TINY VIPERS ALBUM
If any young artist this year were to deliver on the promise of their past work in the same way that Jesy Fortino of Tiny Vipers has done with her new incredible outing Life On Earth, a stunning achievement in minimalist acoustic-folk and a mind-altering journey that begs to explore deep, philosophical facets of one’s mind, then they can be said to have pull off the impossible. Tiny Vipers, perhaps best known for her silence-inducing, eye-opening live performances has crafted a stormy, flickering dark wave of an album, with a sound like a dark journey down the river Styx, casting away at a slow pitch towards a dark underworld of introspective thought where return is not guaranteed. Casting aside all traditional singer-songwriter structures and Cat Power-aping, Fortino here sounds completely unique and natural, alone in a cave with only her questions on life to comfort her. A truly masterful effort, Life On Earth may well have claimed the crown of the best acoustic record of the year only halfway through.

Tiny Vipers – “Life On Earth”
Tiny Vipers – “Tiger Mountain”
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NEW BLOC PARTY SINGLE
Never ones to rest on their laurels, Bloc Party are racing off again, this time with a new one-off single called “One More Chance”, released on BBC Radio last week. Featuring Kele Okereke’s trademark pained-croons about lost love and strained relationships, the single introduces a dancier rhythm and a disco-inflections that were only briefly explored on Intimacy. The song careens through several minutes of guitar-pedals and electronic washes before barreling to hushed close, altogether leaving us wanting more. Is this the new direction for another Bloc Party LP? Retro synths and lost love? Here’s hoping so! Enjoy at the Bloc Party site here!

Bloc Party – “Ion Square (Banjo Or Freakout Remix)”
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HALFWAY THERE: MID-YEAR BEST OF LIST
We here at Cannibal Cheerleader don’t count ourselves as big fans of ‘rock lists’, the male-oriented activity of putting quantitative values to qualitative artistic endeavors. We’ve always made a point to try and not even review bands we dislike – art is subjective and to create is inherently a valued activity. That said, while we like a lot of things, we, like most, tend to like some things more than others, and that’s what our mid-year best of list is all about. We figured since this is a halfway-point in the year list we wouldn’t go into too much detail; instead we numbered our favorite singles and albums thus far, creating a comprehensive list of what has impressed us thus far. Check it:

BEST SONGS OF ‘09 THUS FAR

10. “Oblivion” – Mastodon
9. “Come Monday Night” – God Help the Girl
8. “The Mountain” – Heartless Bastards
7. “All Babes Are Wolves” – Spinnerette
6. “Boy Boy” – Lissy Trullie
5. “Cotopaxi” – The Mars Volta
4. “Dull Life” – Yeah Yeah Yeahs
3. “Planes” – Pull In Emergency
2. “Whirring” – The Joy Formidable

1. “Black Eyes” – Gallows
One listen to the terrifying wail that is Gallows‘ Frank Carter screaming “I know where you live!” instantly rockets this searing single up the list, and kudos to the crunching instrumentation and experimental aesthetic that pulls it out of the hardcore sameness muck and into first place. Perhaps the best thing Gallows have ever done – looking forward to checking them out on July 4th here in Austin!

BEST ALBUMS OF ‘09 THUS FAR

10. The Horrors – Primary Colours
9. Neko Case – Middle Cyclone
8. Peter Doherty – Grace/Wastelands
7. Tiny Vipers – Life On Earth
6. The Joy Formidable – A Balloon Called Moaning
5. Bat For Lashes – Two Suns
4. Fever Ray – Fever Ray
3. Kylesa – Static Tensions
2. Yeah Yeah Yeahs – It’s Blitz!

1. Lissy Trullie – Self-Taught Learner
What can we say that we haven’t already about this blistering release? Lissy Trullie wraps up everything that’s cool about rock and roll into one six-song EP then dares us to find flaw. We here at Cannibal Cheerleader really can’t. Looking forward to some recording news in the near future and maybe another LT release by the end of the year.
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CANNIBAL CHEERLEADER LIVES
So where have we been for the past few weeks? Whatever happened to ‘never gonna let you down now’? Well Cannibal Cheerleader faithful, we’ve been saving up the good stuff for one big release of course. As opposed to aping the other blogs who release every worthless tidbit they can scrape together or copy/pasting from PitchGum, we plan on releasing a massive weekly post that really showcases what music we find really worthwhile. The blog has been repeated ad infinitum. We didn’t devise Cannibal Cheerleader to get the most hits, to join the blogosphere proper. From now on CC is an online zine, appearing once a week featuring all the outsider writing you’ve come to know and love.

So what do we have in store for you? Well as the year progresses the site layout will be updated, showing off a little bit more of our videowork. Check out the video below to see a reel of our Cannibal Cheerleader work over the years – seems like we’ve been around the block more than once! That said we encourage anyone who wants the CC crew to make a video for their band to please contact us at cannibalcheerleader@gmail.com. We’d be happy to do it and frankly we’re not bad at what we do. Check it:

Lastly stay tuned for the fall edition of the Cannibal Cheerleader zine – that’s right volume 4 people! What’s that? You don’t have issues 1-3? Well they’re going fast so email us quick and we’ll shoot you a copy in exchange for something cool (be creative and music related!). And just to plant the demon seed in all you faithful’s brains, this Halloween be prepared for the Cannibal Cheerleader Horrowshow, a showcase of metal acts from around the world right here in Austin, Texas on Oct. 31st. You’ve been warned. Hail to the horror.

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Homemade Horror

NEW WHISPERTOWN VIDEO.
Haven’t been keeping up with our friends in the Whispertown 2000 lately, but rest assured Cannibal Cheerleader faithful, the LA-based quartet is alive and kicking. In fact, the band are just about to begin their first UK tour ever – hopefully they blog it in their overly addicting Tour Tumblr. The band’s sophomore LP Swim was one of our favorites of last year and “From the Start” was a real standout track – check out the video for it below, directed by none other than Morgan Nagler’s brother! Check it folks (we may be late on this one, but haven’t really seen it ’round the blogosphere yet!).

The Whispertown 2000 – “From The Start” Video from Whispertown 2000 on Vimeo.

The Whispertown 2000 – “Atlantis”
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ROLO TOMASSI TOURING WITH GALLOWS.
Just a quick update for those Cannibal Cheerleader fans not living in the UK (though apparently we have a lot of fans from across the pond, hmmm), two of our favorite acts right now London’s Gallows (whose Grey Britain is bloody ferocious) and Sheffield’s Rolo Tomassi (long time CC faves, headliners of our SXSW party, and punk rock masters of tomorrow) are tearing up the British Isles with a one-two rip-and-snarl of punk rock mastery. If there was ever a reason to make a trip from Austin to Portsmouth, now’s the time.

Gallows – “I Dread The Night”
Rolo Tomassi – “Beatrotter”
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SCHOOL OF SEVEN BELLS TOUR DIARY.
One of our favorite psych-rocking Brooklyn-based trios (and we know there’s probably a bunch of ‘em) School of Seven Bells have a really cool Tour Diary that you can access via their homepage. Definitely worth checking out if only for the cool tour pictures and trippy site design. Here’s hoping this group releases more material soon! They’ll be playing here in Austin on June 2nd at Mohawk and you know we’ll be first in line for that one.

School of Seven Bells – “Chain”
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GRAND OLE PARTY TO TOUR WITH YYYS.
It’s official today – all of our favorite bands are hooking up! This time it’s the inimitable Yeah Yeah Yeahs with the fantastic San Diego trio and old-school Cannibal Cheerleader fave Grand Ole Party. Check out the dates on the GOP myspace (the only GOP this Austinite could ever get behind!).

Grand Ole Party – “Look Out Young Son”
Yeah Yeah Yeahs – “Hysteric (Acoustic Version)”
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NEW KILLERS VIDEO.
We leave you fiends today with the Killers’ excellent rendition of their newest single “Dustland Fairytale” from their Day & Age LP – guitar-rock gods this quartet, gods we say! And Letterman appears to think so too.


The Killers – “Four Winds”

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The Reason

NEW LISSY TRULLIE VIDEO

Don’t mean to post two Lissy Trullie updates in a row, but the NYC starlets have a new video up on their Myspace. It’s an EPK for their “Boy Boy” single and it features some pretty sweet live footage and behind the scenes looks so it’s definitely worth checking out. The Self-Taught Learner EP is shaping up to be one of our favorite releases of the year so far!
Lissy Trullie – “You Bleed You”
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NEW GALLOWS ALBUM
Well, is it better? Is Grey Britain worse? Does it boast the same vitriolic level of carnage and bloodshed as Orchestra of Wolves. Cleaner production and a major label may have made the riffs sharper and Frank Carter’s lyrics a little less muddled, but UK hardcore act Gallows still retain their passionate and heartfelt desire to shred faces on both sides of the pond. Listen to a few tracks below and offer your verdict!
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AGENT RIBBONS TO OPEN FOR CAMERA OBSCURA
Things are looking up for Cannibal Cheerleader favorite Agent Ribbons who will be playing a string of dates opening for Camera Obscura, who recently named the band one of their favorite new bands! Exciting times for AR, check out the dates on their Myspace and watch a video from their performance at this year’s Cannibal Cheerleader SXSW Blood Bath below!
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CONVERGE ON TWITTER
News leaks as a snail’s pace out of the Converge camp when it comes to any new material from the band, but this time around it looks as if the Boston-based hardcore quartet will be keeping fans up to date with every step of the recording of the new album via their Twitter page. Seems like everyone is on Twitter these days. Here’s hoping for a repeat of the majesty that was No Heroes.
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THE SOUNDS POST NEW TRACK
Dance-rock megastars the Sounds have posted the first single “No One Sleeps When I’m Awake” from their upcoming album Crossing the Rubicon (out June 2nd) as well as a tracklist which you can check out below. Sounds like Sounds to us, classic stuff people. Check it out at their Myspace.
1. No One Sleeps When I’m Awake
2. 4 Songs & A Fight
3. My Lover
4. Dorchester Hotel
5. Beatbox
6. Underground
7. Crossing The Rubicon
8. Midnight Sun
9. Lost In Love
10. The Only Ones
11. Home Is Where Your Heart Is
12. Goodnight Freddy
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Posted: April 30th, 2009
Categories: agent ribbons, camera obscura, cannibal cheerleader, converge, gallows, grey britain, lissy trullie, the sounds
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Comments: 1 Comment.

Monday Night

NEW BELLE & SEBASTIAN PROJECT
It’s called God Help The Girl and it’s the newest project from the seemingly out-of-hiatus Stuart Murdoch, the brains behind twee-pop stalwarts Belle & Sebastian. Here’s the story according to the project’s Myspace:
“God Help The Girl’ is a story set to music, which Stuart Murdoch has been working on intermittently for the last five years, its origin in some songs that were written while Belle and Sebastian were touring ‘Dear Catastrophe Waitress’ in 2004. Stuart explains:

“I was out for a run and I got this tune in my head and it occurred to me that it wasn’t a Belle & Sebastian song. I could hear female voices and strings, I could hear the whole thing, but I just couldn’t envisage myself singing it with the group.”

As more songs emerged, a shape and theme began to develop, before the music was actually recorded, or the vocalists found to take on the parts.

“All the time I was touring with Belle and Sebastian, I was putting aside songs for certain characters,” he says, “and at one point I realised, that it would make sense to string them together to form the backbone of a musical narrative.”

The hunt was then on to find some great new voices to put to use during the recordings. A competition where singers could add their vocals to the demo recordings of ‘Funny Little Frog’ and ‘The Psychiatrist Is In’ was posted on the iMeem social networking site and attracted around 400 entries. From these, Brittany Stallings (Olympia, Washington) and Dina Bankole (Jackson, Michigan) came to Glasgow in February 2008 to rehearse and record some parts, Brittany making the lead vocal part on ‘Funny Little Frog’ her own.

Among those who auditioned early in the process was Catherine Ireton, who had moved from Limerick to Glasgow, a friend of a friend, who had previously appeared on the sleeve of Belle and Sebastian’s last single, ‘The White Collar Boy.’ She took on the lead vocals for the majority of the songs on the record.

The recording continued during 2008, with a total of nine different singers (including Neil Hannon from the Divine Comedy and Asya from American teen trio, Smoosh) joining the members of Belle and Sebastian over the course of a few months. During this, Mick Cooke’s orchestral arrangements were recorded in London with the orchestra before the finishing touches were applied in Glasgow.

The result is a breathtaking record from one of pop’s most singular voices, combining the strengths and feel of the early Belle and Sebastian records in a broader musical palette, which draws equally on musicals, sixties’ girl groups, eighties’ indie and, most of all, classic pop records. And, in Catherine, Stuart has found a rare talent – her clear, lilting vocals bringing to life the characters in Stuart’s imagination and making for an ambitious and engrossing musical journey.”

Sounds completely and utterly amazing. I know we’re called Cannibal Cheerleader and all but far be it from us to not enjoy some incredible lilting pop tunes once in a while. Check out the intro video below.
And here’s the album’s tracklist!
01 “Act of the Apostle” – Catherine Ireton
02 “God Help The Girl – Catherine
03 “Pretty Eve In The Tub” – Stuart, Catherine
04 “A Unified Theory” – Instrumental
05 “Hiding Neath My Umbrella” – Catherine, Stuart
06 “Funny Little Frog” – Brittany Stallings
07 “If You Could Speak” – Catherine, Anna Miles
08 “Musician Please Take Heed” – Catherine
09 “Perfection as a Hipster” – Neil Hannon, Catherine
10 “Come Monday Night” – Catherine
11 “Music Room Window” – instrumental
12 “I Just Want His Jeans” – Asya
13 “I’ll Have To Dance With Cassie” – Catherine
14 “A Down and Dusky Blonde” – Dina Bankole, Catherine, Celia Garcia, Brittany, Asya
Now if only there was some way you could download an mp3 of the awesome first single “Come Monday Night”, only available now on the Myspace. If only there was even a low-quality version of the song so I could listen as I ride my indie-bike around town. IF ONLY….
God Help The Girl – “Come Monday Night”

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NEW GALLOWS VIDEO
Check out this new video from UK hardcore Gallows for their single “The Vulture (Act II)” from their upcoming LP Grey Britain. Here’s a band that’s bringing the blood and grime back into hardcore, taking the jump to the a major label after their smashing debut to craft a concept album about the horrors of the real-world underbelly of the British Isles. Think if your favorite hardcore 80s act had the funds to make whatever album they wanted and you’re gonna have Grey Britain. Can’t wait!
Also, check out the band’s E-book, featuring videos, pictures, and interviews about the making of Grey Britain – definitely a different take on the marketing campaign and worth a peek. 
Gallows – “Kill the Rhythm”
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SPINNERETTE RELEASE DATE
Insider sources have named June 2, 2009 as the release date for Spinnerette’s self-titled debut album. Excitement ahoy! Can’t wait for more Spinnerette news trickling out of the Brody Dalle camp!
Spinnerette – “Ghetto Love”
Comments? Site update on the way in the next few weeks people, get ready!

…And Out Come the Wolves

If you were anywhere but at the Emo’s inside stage Tuesday night than you missed an incredible hardcore punk show from UK newcomers Gallows. These Watford rockers have a notorious live show and they even managed to turn a hipster Austin crowd into a circle-pit of carnage. If these photos are blurry you probably understand why.*************************************************************************************
Perennial CC favorite Karen O (frontwoman of the Yeah Yeah Yeahs) is reported (via Pitchfork) to be writing tunes for the Spike Jonze adaptation of Where the Wild Things Are. Her last “collaboration” with Jonze supposedly ended in a messy breakup, but some messy K.O. tunes might actually be a welcome addition. Check out this solo K.O. clip from the K.O. at Home bootleg to satiate yourself until the film arrives.

Karen O. – “Audiotrack 8″ (from the K.O. at Home bootleg)
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Babyshambles frontman Pete Doherty is planning a solo album, or so reports this NME news story. While some think of the wayward Libertine as being a drugged out has-been, we here at CC like to err on the side of ‘Pete’s a flawed genius’ instead. His previous solo work “For Lovers” went to the top 10 in the UK, so here’s hoping for good things. Check out this sample from The Branding Sessions and see what you think of Doherty’s solo abilities (Pete’s reworking of the classic “Can’t Stand Me Now”)

Pete Doherty – “You Can’t Stand Me”
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Scarlett Johansson’s Tom Waits Covers Album has a release date. To quote ‘Scarlet-Fan.com’:

“Scarlett Johansson will release an album on May 6 called “Anywhere I Lay My Head,” andPOP [sic] has learned.

The actress-turned-singer revealed in 2006 that she would be recording a Tom Waits cover album. Her album’s title, “Anywhere I Lay My Head,” is the title of a Waits track from his classic 1985 album “Rain Dogs.””

So there you have it folks, Scarlett is indeed the woman for you if you love drunken piano ballads (God knows I do!). Here’s a few music related Scarlett clips to tide you over until tomorrow:

Scarlett Johansson performing with the Jesus and Mary Chain at Coachella ‘07

Scarlett Johansson in Bob Dylan’s video for “When the Deal Goes Down”

Posted: January 15th, 2008
Categories: babyshambles, coachella, doherty, emo's, gallows, jonze, karen o, scarlett johansson, yeah yeah yeahs
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