CC: What is Fight Bite all about? Why this type of music? How did Fight Bite come to be and what other bands have you each been in?

Fight Bite came to be when I (Leanne) had some songs together that were a bit soft and that didn’t fit in my more raw projects (Snowflakes, C!TR, Rival Gang). I saw Jeff’s band Teenage Symphony and asked him to collaborate. Jeff: Once we started talking about influences, it made perfect sense to work together and I was already a fan of her music in Christian! Teenage Runaway.
CC: Describe your artistic process. How do you go about layering all the sounds on your songs? Where do the lyrics come from? What feelings are you trying to convey?

Generally either Jeff has chords and a song structure and i add lyrics and melodic pieces or i have a “finished” song that he embellishes and arranges. Unfortunately Jeff sticks me with all of the lyric writing duties. The content is usually based in reality but dramatized for fun.

This is of course, just a sample of the entire interview, more of which can be read at the bottom of this post and the entirety of which can be viewed in our September edition of the Cannibal Cheerleader punk zine. Stay tuned!

Fight Bite – “Strings”
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CRUISERWEIGHT ALBUM OUT OCT. 7th
Our favorite Austin pop-punkers Cruiserweight have announced the release-date for their much anticipated followup to the seminal Sweet Weaponry. Big Bold Letters comes out Oct. 7th and the special CD release party will be performed at Emo’s on Oct. 31st, so prepare for a ghoulish celebration that will no doubt feature at least one member of CW8 dressing up as Rocky Balboa. Check out this Cannibal Cheerleader-produced video below and see what I mean!

Cruiserweight – “Vermont”
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PREY FOR SLEEP RETURN TO AUSTIN
According to the newest post in the Prey For Sleep Myspace blog, frontman Hunter Townsend and crew have returned from Ohio with brutality accomplished. Check it:

“I’m taking a break from tracking vocals right now to let my voice rest a little before we get back in and double everything and add some tones… this is our last day in the studio, and our last day in Cleveland… I’ll be sad to leave here, that’s for god damn sure. We’ve had an awesome experience hanging out at the HM office and we’ve gotten some solid advice and been pushed a little harder than anyone’s pushed us in the past. I can already see us growing as a band because of this. They probably didn’t know what to make of us for the most part… there’s a vending machine here that they sell Natty Lights from for a dollar a can, and we fucking bought the thing out on the second night of recording. At least we didn’t have to tip! They don’t know how us Texas boys get down. I can’t even begin to describe how happy we are with the recording… everything sounds so fucking solid, so fucking brutal, it’s beyond words. We start driving back at 5 AM tomorrow… Monday night we’re back in Austin! Everybody make sure and check us out on September 4th at Red 7 with The Destro and Bleed The Sky… it’s going to be a fucking great night and we can’t wait to see everybody again and jam in our hometown. We’re playing early, no excuses. Just come out and have some fun with us! Everybody be safe, stay metal, and take care of each other. We’ll see you soon!“

The band’s playing Sept. 7th at Red 7 here in Austin so do not by any means forget to attend this show, or you’ll look like the background for the Cannibal Cheerleader website. You’ve been warned.

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INTERVIEW WITH FIGHT BITE (CONT’D)
Here’s more of that Fight Bite interview for you interested blog-readers. Enjoy!

CC: You seem to be getting a lot of press lately from influential blogs like Gorilla vs. Bear and Stereogum. How do you feel about all the new attention? Has it affected the size of your fanbase? When can a band say “they’ve made it”?

It has been unexpected and strange. we never thought the recordings would go farther than our friend’s stereos. we certainly haven’t “made it.” We’re still spending time and money that will never pay off but that’s what musician’s do. Jeff: The attention is definitely nice and has given us more confidence about what we do. It’s been cool to see new faces at our shows and meet new fans.

CC: To expand on the idea of ‘making it’, what’s it like for an independent band in America today? What are you days jobs? How do you reconcile your day-to-day with the need for artistic expression? Is it worth it even when the money’s not rolling in?
I (Leanne) work as a freelance photographer. We’re pretty boring people. Music is pretty much what we do outside of work. I wouldn’t be a photographer or a musician if i was looking for a good payday. Jeff: Right now the only job I have is grading SAT essays every now and then. Having a creative oulet like Fight Bite will always be more important to me than finding a a good day job or steady income. When I’ve had full-time jobs, I found that my creative projects suffer because of lack of time or motivation.
CC: What bands do you enjoy? What bands influence your music? Do you have any other interests like film or literature?

We have some mutual influences like ABBA, the Carpenters, Wire, and New Order. I (Leanne) am into pretty much everything good from Ruth Etting to Madonna. I (Leanne) am interested in photography, film and stop motion animation. I’m making a music video for Swissex Lover. Jeff: Besides the bands Leanne mentioned, i think we are both influenced by film and music in films.

CC: Describe what making your debut LP was like. Does it include the majority of your song catalogue or do you have other tracks floating around? Describe the time, energy, and expenses that went into it.

We have some stray ones lurking about. The process was pretty slow and painstaking. Some songs have more than 30 layers. we recorded in Jeff’s room onto his 8 track tape recorder. He did all of the mixing. The only expenses were the mastering and printing and the 75 cents it cost Jeff to buy the cassettes we recorded on. Jeff: We spent almost six months recording everything for the album, including several songs we thought didn’t fit Emerald Eyes. Even though it was a lot of intense work, it still ended being up the most fun I’ve had recording.

CC: What message are you trying to convey? Is there a mythos or theme to your music? Your music has been describe as the ‘theme to an unmade Sofia Coppola film’ – how accurate do you feel this description is?

I (Leanne) am into the implicit. Sure, these are all songs describing specific events in my life or feelings that I’ve had, but I’d rather employ some cliches to create a classic universal than speak in tongues and bore everyone with my internal mythology. As for Coppola I take it as a compliment. I’ve never had to buy any of her sound tracks because I already had 90%of the music Jeff: Yes, I think that’s a nice compliment too. I’m drawn to directors like her, david lynch, noah baumbach, and terrence malick because the sound of their films is often just as important as what’s on screen.

CC: What musical genres do you most identify with? Pop’s enthusiasm? Punk’s fierce independence? Shoegaze’s dreamlike quality? Or does your music really have no genre?

I think we identify with pop from the 60’s and 80’s as a model and general influence. Our approach is more or less informed by anything from punk to dance music but those aren’t obvious in this project. Shoegaze is the sort of genre that i can’t quite pin down. I guess that might describe the sissy, emotional, dreamlike qualities in our music. We enjoy a postgenre identity. Anything goes.

Remember, bonus questions will be in the September issue of the CC zine! Order yours by emailing me today! Comments?